Desire Inc.

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

A labor of love documentary, in which a daughter, with the help of various talking heads, looks back on the life work of her father.

101 million Americans drink wine. Over 1/3 of that wine comes from overseas and a vast majority of the remainder comes from Northern California. We've all heard of Napa, Bordeaux and Burgundy. What about Paso Robles? Or Austin, Texas? How about wine from Michigan? Did you know Canada makes world-class wines? Mexico too? The list goes on...and we're going to take you along with us as we explore each of these new world-class wine regions and the people that make them so awesome to visit.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

Filmed by the first-ever team of women video journalists trained in Afghanistan, this uncompromising film reveals the effects of the Taliban's repressive rule and U.S.-sponsored bombing campaign on Afghan women.

Southern Rites visits Montgomery County, Ga., one year after the town merged its racially segregated proms, and during a historic election campaign that may lead to its first African-American sheriff. Acclaimed photographer Gillian Laub, whose photos first brought the area unwanted notoriety, documents the repercussions when a white town resident is charged with the murder of a young black man. The case divides locals along well-worn racial lines, and the ensuing plea bargain and sentencing uncover complex truths and produce emotional revelations.

Dutch presenter Astrid Joosten travels the world to find out why Anne Frank's written words in her diary still inspires hope and regardless of own circumstances, works for unity and peace.

An anthology of stories about the indigenous Nenet peoples of the Northern Russian tundra, and how their way of life was disrupted by the advent of Soviet power.

Danish travelers return from Greenland and are greeted by politicians, relatives, and various other dignitaries.

Streamside Day, explores the formative role of ideological and semiotic systems in establishing social rituals and traditions. Huyghe's exhibition includes five murals, concealed behind five supplementary walls, which are revealed when the walls begin to slowly move through the gallery to configure a pavilion in which a short fiction film is projected. When the film ends, the walls retract to their original positions along the perimeter of the space, restoring the gallery to its pristine condition. After opening with scenes from an Edenic landscape, Huyghe's film traces the formation of a burgeoning community hypothetically located in the Hudson Valley. The first of two sections limns a mythic kernel that is then instantiated in scenes from a typical inaugural celebration devised to forge communal identity.

This is the gripping and emotionally charged story of Tyke, a circus elephant that went on a rampage in Honolulu in 1994, killed her trainer in front of thousands of spectators and died in a hail of gunfire. Her break for freedom - filmed from start to tragic end - traumatised a city and ignited a global battle over the use of animals in the entertainment industry. Looking at what made Tyke snap, the film goes back to meet the people who knew her and were affected by her death - former trainers and handlers, circus industry insiders, witnesses to her rampage, and animal rights activists for whom Tyke became a global rallying cry. Like the classic animal rebellion film King Kong, Tyke is the central protagonist in a tragic but redemptive drama that combines trauma, outrage, insight and compassion. Ultimately, this moving documentary raises fundamental questions about our deep and mysterious connection to other species.

Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.

Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.

The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.

A documentary that chronicles life's natural unfolding when a family tries to live by the seasons instead of by the clock.

Shida is the new kid in class in a private boarding school in Tanzania. He is shy, he has no self-esteem, he does not speak one word of English - the primary language in the school, and he suffers from albinism. Like most children with albinism in the country Shida was taken away from his parents to be protected from the witchcraft related killings. The film follows Shida during his first year at the new school where the rules are strict and tolerance low. He is trying his best to meet the demands. The school is a chance of an education and to escape a life on the bottom of society. With the help from his new friend Allan he is struggling to become better in school and to be accepted by the teachers and pupils.

"Scrum might technically refer to restarting a play in order to gain control of the ball, but it’s really about a group of guys packing close together in one place—in this case, gay rugby’s 7th Annual Bingham Cup in Sydney, with 1,000 participants from 15 countries. The documentary zeroes in on three determined gay athletes vying for a spot on the elite Sydney Convicts team: Aki, the Japanese outsider who worked tirelessly for two years so he could travel to Sydney; Brennan, a hunky Canadian jock who was built for contact sports but rejected by his former, straight teammates after they discovered he was gay; and Pearse, the Irish backpacker bullied in school, tired of being continually put down."

Everything is political, even something as insignificant as a bathroom. The struggle to occupy spaces represents the struggle to reaffirm one's very existence. This is why we explore why the creation of gender-neutral bathrooms in the Faculty of Philosophy and Letters is so important in a country that leads in hate crimes against the LGBTQ+ community.

New Zealand-born Margot Nash scrutinises the memories and mementoes of her childhood to understand the unhappiness of her parents, and the corrosive instability of the household from which she fled as a young woman in the early 70s.