Up the Upper Parana

A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.

Across a series of increasingly surreal flashbacks, an extended Indigenous family argues about what caused their boat’s motor to breakdown and leave them stranded. As they consider the causal roles played by ancestral spirits, the regulatory state and the Christian faith, the film makes manifest the multiple demands and inescapable vortexes of contemporary Indigenous life.

The imminent extinction of the vaquita porpoise and the totoaba, two species endemic to Baja California and sought after by the mafia for their swim bladders, which are highly prized in the East; victims of illegal fishing nets and in danger of extinction.

Part of Me Now

At the risk of a 5-year prison term, Francesco Da Vinci struggles with his Virginia draft board to be recognized as a sincere conscientious objector to the Vietnam war.

Audiovisual footage from the 54,000 page report, divided into 85 volumes (with 13 appendices) about the Iguala Case (the disappearance and presumed murder of 43 student activists by an organized crime group, in collusion with the local government in southern Mexico), made public by the federal attorney general office (PRG) in 2015.

In a taxi conversation in Tbilisi. Europe, immigration and the comparison between today's capitalism and the Soviet dictatorship are some of the subjects taken up.

The film describes the life of the last Macedonian nomadic ethnic group, so called Karakachani. In 18th century, their ancestors, ants of the Traco-Illyrian, leaded by Papucoroshi, as a result of the Turkish oppression withdrew from Gramos, passing through the Macedonian mountains. They settled the surroundings of the mountain Osogovo, particularly the village Vrbica, in Kochani’s district. Nowadays, they can be seen dressed in black, on market days through the towns of Eastern Macedonia. In spring, before they leave on their nomadic trip with the flocks of sheep, at first they fleece the sheep and make various handmade products for domestic use. During their stay in the mountains, they are occupied with milk production and manufacturing. They live a quiet nomadic life, moving themselves from one pasture to another with their whole equipment. They spend the winter period in the warmer districts, along the valley of the Vardar River.

This documentary presents the Vietnam War as seen from within Vietnam, focusing on civilian life, industrial and agricultural labor, and organized resistance under sustained aerial bombardment. Introduced by Bertrand Russell, the film situates the conflict within a broader history of anti-occupation struggles, drawing parallels to World War II resistance movements. Footage includes interviews with Vietnamese leaders, scenes of air defense, and mass political mobilization.

This is a story about people whose invisible job is to clean up the world that is hidden from our society.

This investigative documentary follows a team of archaeologists searching for the hard evidence behind chilling vampire myths, from the discovery of bodies staked into their coffins on the island of Lesbos to the New England vampires who died from tuberculosis.

Film icons and genre experts share observations, experiences, and analysis to help reframe, deconstruct, and re-contextualize the "lost" decade of horror: the '90s.

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls. Restored by the Academy Film Archive in 2016.

The same submarine which successfully captured the world's first moving images of a giant squid in its natural habitat is used for exploring the deep sea cliffs off the coast of New Guinea. The team encounters true living fossil species one after another. Join this exciting deep sea adventure!

A haunting story of the FBI's dark hand in American life. In 2015, Khalil Abu-Rayyan was just a young Muslim man in Detroit, Michigan: to get by, he delivered food for his family's pizzeria. Depressed and lonely, Khalil found solace in smoking weed and looking at extremist material online. Then two young women started messaging him, and he fell in love. But one of them suggested he start doing increasingly violent things. Nothing was as it seemed. And Khalil's life would never be the same. A documentary by Garret Harkawik for the Gravel Institute.

“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

There are children. There are those who abuse them. And there are those who know, but never tell.