Sadness of the Anthropophagi

A delusional young woman mourning the loss of her cat receives a visit from an unexpected visitor.

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

The idiot puts himself in the dirt and a way of life behind him. A new economic reality suggests he collect a pension on feigned retardation but sometimes truth veers absurdly close to fiction. He huffs glue and loses himself in the crawl of time.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

A high school student attempting to complete his musical opus keeps getting distracted by the intense fights of his mentally imbalanced father and overly doting mother.

Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.

A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.

The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure film.

Budapest, 19th century: Nosferatu is killed by a prince. Now in colour and on holiday in Brazil, he saps several natives.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Simplistic drawings portray the myths and rituals of the ancient Moche civilization as interpreted by the filmmaker from the artwork on Moche pottery, inspired by Donnan McClelland's "Sex and Death."

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.