People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.
Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.
A visual essay that highlights top-down shots from Wes Anderson's filmography.
In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.
Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.
The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.
Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.
Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.
On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.
A supercut of television’s The First 48. (Aaron Valdez)
Driven by passion fed from a life-long fascination with sharks, Rob Stewart debunks historical stereotypes and media depictions of sharks as bloodthirsty, man-eating monsters and reveals the reality of sharks as pillars in the evolution of the seas.
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
In this hilarious arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to relinquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong.
Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
Swedish documentary from the Gothenburg area about young drug abusers.
Series "Polyvinyl 33 1/3", was created three years ago, aims to bring together all their broadcasting those whose hobby of collecting plates showed different approaches and attitudes toward, compared to today, when there is a huge variety of sound . Given the fact that today's young people do not even know what a single plate, what is the album, and what a record player, the show itself is the story of more than a hundred previous participants in this series had an opportunity to become familiar with the basic concepts of Hi-Fi technology and the development of sound records on 78 rpm to latest mp3 editions.
Kind Of Blue: Celebrating A Masterpiece incorporates material from the 2004 mini-documentary, Made In Heaven, including black-and-white still photography of the recording sessions and the voices of Miles (at the sessions), as well as excerpts of radio interviews with the late Bill Evans.
Bobby Jones attempts to undo the damage done by a meddling old fool.
How do 1.1 billion people around the world live on less than one dollar a day? Four young friends set out to research and live this reality. Armed with only a video camera and a desire to understand, they spend just 56 dollars each for 56 days in rural Pena Blanca, Guatemala. They battle E.Coli, financial stress, and the realization that there are no easy answers. Yet, the generosity and strength of their neighbors, Rosa, Anthony and Chino gives them resilient hope. They return home transformed and embark on a mission to share their new found understanding with other students, inspiring and challenging their generation to make a difference.