Tarantino: kill Is Love

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.

A supercut of television’s The First 48. (Aaron Valdez)

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

Westside Barbell is essentially what would happen if the Hell's Angels traded in their Harley Davidsons for squat racks and chalk. It is a collection of some of the strongest and scariest people to ever walk the earth. The atmosphere inside the cinder block walls has been described as a prison yard weight pile. Fights and cussing are part of the charm, as are tattoos and facial hair. The environment is brutal and wears quick on lifters with thin skin. Every day at Westside its dog eat dog. It's a proven recipe for world records (over 140 and counting), but is it worth the price of the pain? When the weights are big enough to kill, how far would you go for a number?

In 2004, political bloggers came of age. They propelled Howard Dean from fringe candidate to front-runner. They took on CBS anchor Dan Rather and won. As the 2006 mid-term elections approached, bloggers were preparing for battle again. This documentary examines how online democratic activism is shaping important elections by focusing on the decisive Connecticut senate race and Ned Lamont's challenge to incumbent Joe Lieberman.

Katie Puckrik explores the 1970s American music phenomenon of Yacht Rock, a halcyon period of Los Angeles studio craft that married R&B with themes of longing, aspiration and melancholy, before going on to explore how the genre adapted to the musical times of the 1980s.

A story of passion between Jean Cocteau, Pygmalion poet, novelist, designer, playwright and avant-garde film-maker and Jean Marais, a popular actor, "well-loved" chameleon and legend of French cinema. They shared a unique relationship which, from 1937 to 1963, combined the art of loving with the inordinate love of arts.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of five different metropolitan cities.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.