Tarantino: kill Is Love

A visual essay that highlights top-down shots from Wes Anderson's filmography.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

A supercut of television’s The First 48. (Aaron Valdez)

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

Documentary about the making of Martin Scorsese's story of a man willing to go to any length for a shot at fame.

This promotional film for "Joy House" (1964) shows the cast and crew filming at locations on the French Riviera. Star Alain Delon performs his own dangerous stunts in the movie, which is referred to by its English title "The Love Cage".

A filmed version of Jonny Donahoe’s acclaimed one-man show about depression, suicide and the lengths to which people go for those they love. Poignant and humorous, it follows a young boy who attempts to ease his mother’s depression by starting an enormous running list of everything worth living for.

Verso L'Ignoto

A behind the scenes look at the background and making of the 2008 TV mini-series

Wings Of Dream