United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.
Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks".
In the spring of 2004, Massachusetts began the final battle of its journey towards legalizing same-sex marriage. This documentary follows a few local couples & their families through the months leading up to & shortly after that defining occasion in LGBTQ+ history, culminating in their respective weddings. Also includes interviews with active opponents attempting to discourage the movement (& failing, of course). Premiered at the Independent Film Festival of Boston in April 2005, just a month short the decision's one-year anniversary.
The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.
Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.
On the eve of 1987's Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare panels to be added to a large-scale memorial quilt project. Drawing from the sea of names memorialized, director Robert Epstein focuses on the lives of six people. Alongside the intimate profiles offered, through news footage and interviews, Epstein puts the AIDS crisis in the larger context of social and government response to the disease.
A feature-length documentary that explores the immense changes that occurred for gays, lesbians and transgender people living in the Global South. In the last decade of the 20th Century, a new heightened visibility began spreading throughout the developing world and the battles between families, fundamentalist religions, and governments around sexual and gender identity had begun. But in the West, few people knew about this historic social upheaval, until 52 men on Cairo’s Queen Boat discothèque were arrested for crimes of debauchery. That explosive story focused attention to the lives and trials of gay people coming out in the developing world and the film chronicles those events.
Two gay leather beauty pageants form the core of this German documentary. The events, the International Mr. Leather Pageant and the Mr. Drummer Pageant held in San Francisco and Chicago respectively, are filled with scads of strangely dressed leather aficionados. These leather men are seen sauntering down streets, and hotel corridors; some of them are interviewed. Also interviewed are former Mr. Leathers who discuss the inherent responsibilities of their titles and the groupies they attract.
A look at the sex lives of the guys who make L.A. adult movies.
A full-length documentary about a controversial evangelical movement that purports to convert gay people into heterosexuals. The film brings us inside this unusual Christian subculture and follows the lives of several young people whose homosexuality is at odds with their religious beliefs.
The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”
The extraordinary rise of Olympic boxing champion, record-breaker, feminist and LGBT icon Nicola Adams. From the streets of Leeds to the world stage, Adams fought her way to the top and changed the game. This, is her story.
A documentary that tries to analyze the invisibility of homosexual people in Spanish football.
This inspirational documentary follows a number of LGBTQ athletes, including Robbie Rogers (Major League Soccer), Layana White (NCAA basketball player), Gus Kenworthy (freestyle skier and Olympic silver medalist), Megan Rapinoe (soccer, Olympic gold medalist), and Trevor Betts, a trans high school athlete, charting their social and legal challenges within the schools, sports leagues, and within their own families, as well as their triumphs in the face of great adversity.
A portrait of various gay Orthodox Jews who struggle to reconcile their faith and their sexual orientation.
Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.
A place of pleasure and pain, creation and separation, Frida Kahlo's home, known as "La Maison Bleue", was the scene of one of the most singular adventures of the 20th century. In the 1930s, while Europe was being torn apart, Frida Kahlo welcomed painters, actresses, writers, photographers and revolutionaries: from Diego Rivera, the great Mexican painter and Frida's fickle husband, to Leon Trotsky in exile, via André Breton, who dreamed of Mexico as the land of "real surrealism".
Church & State is the improbable story of a brash, inexperienced gay activist and a tiny Salt Lake City law firm that joined forces to topple Utah’s gay marriage ban. The film’s ride on the bumpy road to equality in Utah offers a glimpse at the Mormon church’s influence in state politics and the squabbles inside the gay community that nearly derailed a chance to make history. Church & State is a story of triumph, setback and a little-known lawsuit that should have failed, but instead paved the way for a U.S. Supreme Court decision that legalized gay unions nationwide.
A scream amid so many silences, an attempt to rescue the human's gaze upon himself.
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.