Dzi Croquettes

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

"O Mar de Antônio Peregrino" tells the fascinating story of the pilgrim Antonio Conselheiro and the village of Canudos. In a region feared by its long droughts, thousands of outcast peasants and Indians came together to build a country utopia. The city has been wiped off the map three times but refuses to die. The film is a journey in search of the people and dreams of Canudos. Guided by Antônio Conselheiro's famous phrase “The drought will turn into the sea, and the sea will turn into the drought”, the film goes through the drought and the flood to meet a warm and strong people who never surrendered, cherished with the music of hope and missing.

The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.

A personal documentary about gay marriage in Brazil that focuses on the filmmaker Fábia Sartori Fuzeti, who opens the film by proposing to her partner Gabriela Torrezani. The movie follows their footsteps from that moment until their big day. At the same time, it explores the lives various gay and lesbian couples that got tied the knot since the Brazilian Supreme Court legalised gay marriage in June 2011.

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Benzeduras

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

A look into the 25 years of career of famous musician Chico Buarque and his influence in Brazilian culture.

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Que Esse Grito Não Seja em Vão!

Além do que se Vê

Funk Brazil

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.

The ultimate guide to the players on the road to Rio. Ahead of the world football tournament in June & July, Stars in Brazil celebrates ten of the world’s most talented players on the road to Rio. From Cristiano Ronaldo’s breathtaking skills to the brillance of Wayne Rooney, Stars in Brazil offers detailed player profiles, fantastic footage and exclusive interviews with football experts.

The long awaited documentary about Sepultura's incredible journey from Brazil to the world.

As farm animals are prohibited anywhere in Recife, everyone who gets about by horse is made invisible from the point of view of the law. Only by dealing with the race as if it were scene from a movie – by being able, therefore, to have it considered as being to some extent a piece of "fiction" - is what would make the event feasible and fit to obtain the authorizations needed to make it happen from the official point of view.