Stomp the Yard 2: Homecoming

“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.

In this musical short, a man tries to woo the manager of a dance troupe.

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

The version of Le Corsaire by Manuel Legris arrives at La Scala, his first revival of a nineteenth century classic, fully highlighting the intent and innovativeness of his choreographic approach and his musical and dramaturgic quest. With its clear and accessible plot, notable attention to musicality and relations among characters, the sumptuous and evocative décor and costumes by Luisa Spinatelli, it will be an occasion recombining the energy virtuosity, the lyricism and romanticism of one of the 19th century’s most adventurous and thrilling ballets d’action with the talents of the La Scala dancers.

Two young strangers meet in Naples and begin to flirt and dance in the street.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

A woman's journey to combatting her fear of intimacy - short film by Willow Bidwell.

Two friends dealing with the peer pressure in a desolate swimming pool. How far can they go and is their friendship important enough?

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

An innocent tourist travels to LA and unexpectedly conjures her sister's last night alive. Bold score, stylized dance and an eccentric cast, shot at The Standard Hotel, weave a dark and luminous film that revamps traditional narrative.

A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.

Vodoun Gods On The Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin.

A young Caribbean immigrant mother struggling to make ends meet at her dye factory job finds a release through her abandoned dream of dance.

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A celebration of extraordinary choreographed moments in a countdown of TOP 25 of the most memorable dances in cinema history.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

Destiny has been told since childhood she has seizures when she dances. When she’s challenged to face her fear and dance, Destiny makes a decision that could reveal a secret she doesn’t yet understand.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.