Lead Me Home

A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.

Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.

Luttes intimes

Two troubled men face their terrible destinies and events of their past as they join together on a mission to find the Holy Grail and thus to save themselves.

Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.

Autopsie d'une intelligence artificielle

Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.

Award winning feature documentary about an art program for homeless people.

A homeless man takes a newly homeless man under his wing and teaches him how to survive on the streets.

Bill is a penniless drifter who scams strangers out of just enough money to feed himself and his partner in crime, an orphan girl known as Curly Sue. Bill and Curly Sue target Grey, a yuppie lawyer, but their con takes an unexpected turn when the successful woman begins to like the ramshackle duo. But there's one problem—Grey's jealous, conniving boyfriend, Walker.

A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

Les Derniers Secrets de l'humanité

An intimate reflection on life in the digital age and Seán McLoughlin's journey through the highest highs - chanting crowds, sold out shows, and marriage proposals - and lowest lows - grappling with loneliness in the harsh Irish winter - and the life and wonder in between.

Γάζωρος Σερρών

After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

Due to the increasing privatization of basic public services in Spain, companies such as BB Serveis are accused of misappropriating several million euros of public money intended to finance care for the elderly and other dependent persons.

A love story of a 17 year old punk-rocker and a 15 year old runaway girl.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.