Lynch/Oz

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

Twenty-five films from twenty-five European countries by twenty-five European directors.

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.