Genghis Khan

Three lonely people meet by chance in the waiting room of a train station.

The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.

Tomby, a challenged teenage boy, manipulates his family who cater to his every desire. Only his twin brother Greg treats him as a human being capable of development. A powerful drama / dark comedy with a surprising ending.

Transferring the setting of a brooding Hungarian play, Carousel, to a remote fishing village, shaping their vision around themes of brutality, poverty and disappointment, Rodgers and Hammerstein composed some of the most glorious music ever written for the stage.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

At the beginning of the 20th century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, Austria. But Hermann Merz, a factory owner and baptised Jew now married to Catholic Gretl, has moved up in the world. We follow his family’s story across half a century, passing through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and the Holocaust. A company of 40 actors represent each generation of the family in this epic, but intimate play.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

The story recounts the early life of Genghis Khan, a slave who went on to conquer half the world in the 11th century.

This musical adaptation of the Studs Terkel book examines the average worker's viewpoint--showing that he or she is anything but average. Based on a series of interviews with real working people--construction workers, waitresses, firemen, secretaries, and cleaning women, Working is both an exploration of the individuals' occupations and a lament for lost hopes and dreams.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

For our fifteenth year of RiffTrax Live, we've selected the 1990's cult classic about bank robbing, presidential masks, and surfing: Point Break! It was directed by Academy Award Winner Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and stars Keanu Reeves (The Matrix, John Wick, Keanu), Patrick Swayze (Road House), and one of our all-time favorite character actors, Gary Busey (A Star Is Born, Predator 2). Mike, Kevin, and Bill will riff Point Break LIVE at the State Theatre in Minneapolis on July 27th, and the resulting hilarity will be broadcast to over 700 movie theaters across America on Thursday, August 8th with an encore on Tuesday, August 13th thanks to our partners at Fathom Events.

Created from five years of interviews with 12 young people from across the UK, Our Generation is a captivating portrait of their journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. Writer Alecky Blythe (London Road) brings her new verbatim play that tells the stories of a generation. Daniel Evans makes this directorial debut at the National Theatre. A production from National Theatre and Chichester Festival Theatre.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn.

A waitress and expert pie-maker dreams of a way out of her small town and rocky marriage.