Project Sun Bear

Chronicle of the Occupation.

A discussion with her family brings a daughter an occasion to ponder the past. Presence and absence lead to an immersion into memories, and ultimately, to the future.

The animated documentary - a mix of live-action footage and animation - tells of the brutal everyday life in the orphanages of the 60s / 70s. Often led by Christian orders, more than one million children were physically and physically abused here. The anonymous protagonist tells of her childhood and her very personal struggle against the nuns' arbitrariness and their ruthless authority.

The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work.

Commissioned by the U.S. Treasury Department, the film follows an inspector conducting surprise inspections. Note: As of now, the film is considered lost and no known copies are publicly available.

City lights contrasted with total darkness in this experimental short film.

The film was produced as a compilation film. Blum reported in “Film-Kurier“ (5.11.1928): "It will be assembled from excerpts of partly unpublished Ukrainian films. […] Some American footage has also been used. To get material as impressive as possible, a number of films, 0-60, have been viewed." Based on ideas by Dziga Vertov, and largely assembled from the last reel of his film 'The Eleventh Year', this compilation presents an explicit critique of the very technology that Vertov sought to praise, stressing the dark side of industrialization—hands mangled in workplace accidents, train wrecks, coffins—and connects to a particularly German concern with the negative effects of technology stretching from the Romantics to Heidegger, Horkheimer, and Adorno in the twentieth century.

A travelogue of Los Angeles area vernacular architecture and Hollywood's self-promotion as the land of make-believe.

Animated figure Talkie gets a visit from his friend Mutie in search for a job. Talkie takes him to the Western Electric sound lab...

Boules Game

100 seconds-long six-scene footage consisting of selected coronation ceremonies of the Russian Tsar (Emperor) Nicholas II. Shows distinguished guests entering a carriage, parade of troops and carriages, Nicholas II and his wife empress Alexandra Feodorovna descending the Kremlin Red Staircase, procession of the newly crowned Emperor and his wife under the baldacchino, guests from the Asian parts of the Russian Empire.

A train arrives at Perrache station. We see the view from aboard the train.

A trains arrives at Perrache station and people disembark.

With this publication experience the mysterious mythology of Egypt and be up close during an excavation "live" there. Uncover together with the research team an untouched for centuries tomb and fumble your way bit by bit through her secret with unique 3D shooting.

A shortfilm directed for Canal + TV Show "L'Œil du Cyclone", Episode 74. "What interests me is the hypnotic trance in which one can plunge a viewer. When you make a film and it works, you're like a shaman, a hypnotist."

A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.

Newsreel-type short about music from the 1890s making a resurgence in the '40s

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place. Edited down from The Shining Future (1944).

Short documentary by Gaspar Noé filmed around the the same time as Irréversible (in 16mm Scope), in which his friend Stéphane Drouot, the director of the cult film "La Banlieue des Étoiles / Star Suburb", discusses his life with AIDS and struggles to make films.

Even in their native land, writers are strangers who look at things from without and see them clearly. How does this affect a writer who is literally foreign? Does being familiar with two cultures without fully belonging to either of them make for even greater clarity, but also damage the writer to some extent? At what point do gains turn into loses? Stranger by the Sea focuses on the life and art of Turkish poet and writer Şavkar Altınel, resident for years in England, to look for some answers.