The Cow Who Wanted To Be a Hamburger

A continuous movement. Preserved by the Academy Film Archive in 2000.

A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.

Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.

A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

A toy soldier, distracted by a beautiful ice skater, is derelict in his duty and gets discharged. Later, when the screwball army declares war, he lucks into a chance to redeem himself. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp. Jasper rescues her from the Scarecrow, brings her down the beanstalk, and spends the rest of his days dancing to the music his girlfriend plays on the harp. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

Terrance gets beaten up by Buck every Thursday the 12th. No big big deal, except this Thursday the 12th he's got to meet his girlfriend's parents, so he has to figure out a way to turn his luck around before it's too late.

A short film about a mother and her son, she teaches him life skills later on the son gets niked by a man so the young donkey can be his work slave and his mother saves him. Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2013.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

The Rehearsal is a 1969 short comedy, written and directed by Stephen F. Verona. It is a humorous short where a director becomes frustrated with a quisitive actress during the rehearsal of a play. The film was nominated for an Oscar for Best Live Action Short Film. Preserved by the Academy Film Archive in 2010.

Background is a 1973 American short documentary film directed by Carmen D'Avino. It was nominated for an Academy Award for Best Documentary Short. The original version was preserved by the Academy Film Archive in 2012.

Doubletalk is a 1975 short film directed by Alan Beattie. The film follows a young man who picks his girlfriend up at her family home and meets her parents -- and the audience is privy to their private thoughts and impressions. The film was nominated for an Oscar for Best Live Action Short Film. Preserved by the Academy Film Archive in 2012.

My Snowman's Burning Down is an American short film made by Carson Davidson in 1964, with music composed and performed by Gerry Mulligan. A surrealistic and humorous satire on the Madison Avenue image of the world through advertising. The film was nominated for an Academy Award for Best Live Action Short Film. Preserved by the Academy Film Archive in 2009.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

A mystery novelist devises an insurance scam with his wife's lover – but things aren't exactly as they seem. Preserved by the Academy Film Archive in 2012.

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.