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Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

A documentary re-enactment of the last few hundred years in Serbian history.

Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?

Milica Ostojic (aka Mica Trofrtaljka or Mica Davorika), a singer from Milicevci near Cacak (Serbia) by singing the song "Davorike, dajke" became a big star of new underground music in the seventies in former Yugoslavia. Forgotten for years, she returned to the scene in the film "Pretty Village, Pretty Flame", saying the historical sentence: "Shut up mate, erotica".

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.

By the end of 1915, during the second half of World War I, which had started by the Austro-Hungarian Empire's attack on a small Kingdom of Serbia, Serbian people, its army, and the state found themselves in the greatest tribulation in its long history. Serbia is attacked by the combined militaries of Austro-Hungarian Empire, Germany, and Bulgaria. Defending every road, every hill, every creek, during the time when every village, every plato, every crossing was becoming a historical landmark, Serbia, relying on the Allies, moved its people, its government, and its remaining troops to Kosovo--the only unoccupied part of the Serbian territory, but soon had to cross Albania in the hopes of reaching the Allies' ships in the Mediteranian.

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

The war crimes trial of Ratko Mladic, accused of masterminding the murder of over 7000 Muslim men and boys in Srebrenica in the 90s Bosnian war, the worst crime in Europe since WW2.

Through the socio-political overview of the problematic structure of fan clubs and football supporters in Serbia, this movie focuses on a particular case of an incident involving a French citizen - football fan in Belgrade, which led to 12 young people being convicted to 240 years of prison. One of them is Stefan Velickovic. This is the story about the man who became a part of a huge political scandal, and his right to defend himself. As someone who has not even been at the spot of the incident, he has been pronounced guilty of a crime. What are the interests and intentions for making Stefan a scapegoat?

Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...

The film features intertwined scenes of young dance troupes' performances and scenes where famous Serbian actors, artists and athletes speak out to young people, in order to inspire them to by their own example to chase after and fulfill their lives' dreams. The 34 minute long film is fast paced and shows different types of dances at several key locations in Belgrade, Serbia. The performances are cut by the interviews with the artists and athletes, addressing the viewer, who talk about their beginnings and the road to success. The third segment of the film are young people, transitioning into adulthood, who talk about what their own dreams are. The idea that the film "Fulfill your dream!" carries is to show young people, through the movie itself, through the testimonies of successful artists and athletes, and finally through the example of the author, that it is possible to start an independent career, thanks to their creativity, ambition and perseverance.

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

Still regarded as the best Serbian documentary film account of WW1 ever, it gathers all the available footage of Serbia's army, its battles on the home ground, its refuge on the island of Corfu, its victorious offensive on the Thessaloniki Front and the return to the homeland. The original documentary footage from 1915–1918 was somewhat supplemented in a small measure with some staged reenactments of Serbian army retreating over Albania, and later liberation of Belgrade. The first version of this documentary epic was shown in 1930 under the title "For the Honour of Homeland". Andrija Glisic and Zarija Djokic later made a new sound version of the previous silent movie and renamed it "Fire Over the Balkans".

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

Documentary road movie ‘Tarot Serbia’ is following Milan Radonjić, the star of ‘Commercial Tarot’ on his odyssey through rural, provincial parts of Serbia, where he’s invited to be the guest of honor at local TV stations. On his journey Milan will explore and reveal the characters of people living at the very edge of society, the ones who lost their jobs during transition, refugees from Bosnia and Kosovo, war veterans, invalids, sick people, betrayed lovers, girls possessed by demons, lonely pensioners, exorcists and all other people asking him for help and solution to all their problems.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.

Yugoslavian documentary, about their people and preparing for war.