Bon Voyage

The Hindenburg Disaster: Probable Cause

He is Khagani Aliyev, a resident of Saricali village of Aghdam. On July 23, 1993, Khagani Aliyev, who heard about another Armenian attack on Aghdam, went home to take his parents who had not left the village to a temporary safe area...

For thirty years now, a dilapidated house has been providing essential asylum to war refugees from Nagorno-Karabakh. Three generations, including the children and grandchildren of people made to leave their homes, struggle to scratch an existence on the outskirts of Baku. They are faced with common problems: loss of home, outrooting, sadness and illnesses.

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

Aivazovsky's paintings on historical Armenian themes. His works were not only on marine subjects. In this short we can also see the church of St. Sarkis, where the artist was baptized. He was married within the walls of this ancient temple, and his funeral service was held there in 1900. Modern photos of Armenia and Western Armenia, where Aivazovsky's ancestors were from, harmoniously complement the film. And at last, the picturesque views of Feodosia, the city where the artist lived and worked for many years.

Located in former West Berlin, Tempelhof Airport reflects the dramatic history of the 20th century. Once a Nazi showpiece, it later became a symbol of freedom during the Berlin Airlift and the Cold War. In 1978, East German citizen Constanze Glien unexpectedly arrived here after her flight was hijacked, changing the course of her life.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

An exhilarating documentary film that celebrates the unsung hero of aviation - the local airport - by tracing the life, history, and struggles of an airport icon: Southern California's Van Nuys Airport. Featuring thrilling aerial photography and a sweeping original score, the film dispels common misconceptions and opposes criticism of General Aviation airports.

Es geht um Alles

Each year over 100 million passengers pass through Hartfield Jackson Atlanta airport - making it the busiest in the world. With an extraordinary all-areas-pass, this film offers up a unique combination of jaw-dropping scale and surprisingly intimate stories, to build a picture of the daily challenges faced by some of its 63,000 staff.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.

A short film about the airport in Frankfurt am Main. Re-released in 1973.

In October, during the tense days of the Nagorno-Karabakh war, the director takes his camera to the village of Ashagi Nuvedi in Lankaran. The film follows the daily lives of fishermen — Sakhavat, Ramesh, Rza and Tehran — living in the shadow of the war. They go out to sea every morning amid news from the front, fearing empty nets, and hoping for a miracle — a goldfish in difficult days.

The documentary is about an old man from Yerevan who paints on garages, transforming rusty metal walls into vivid landscapes and leaving a subtle yet unforgettable mark on the city.