Four years after the end of the German Democratic Republic, Katarina Witt, two-time Olympic champion, is planning her comeback to prove to herself and to a united Germany that she still has what it takes. To do this, she has to team up with her former coach Jutta Müller and complete the toughest training of her life.
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.
There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.
The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.
Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.
Uncovering the profiteering of the state's water barons and how they affect farmers, average citizens, and unincorporated towns throughout California.
Jerry Bines is trying to live down a past that includes killing a man (in self-defence), theft and an alcoholic, abusive father. He sees hope for redemption by providing life-giving bone marrow to his leukemia-stricken son. But time is running out because an escaped killer (Gary Percy Rils) is coming to town to exact revenge for ancient sins. And like the old buck in a backwoods tale he spins for his kid, Bines must stop running and turn to face his hunter.
The world couldn't keep its eyes off two athletes at the 1994 Winter Games in Lillehammer - Nancy Kerrigan, the elegant brunette from the Northeast, and Tonya Harding, the feisty blonde engulfed in scandal. Just weeks before the Olympics on Jan. 6, 1994 at the U.S. Figure Skating Championships, Kerrigan was stunningly clubbed on the right knee by an unknown assailant and left wailing, "Why, why, why?" As the bizarre "why" mystery unraveled, it was revealed that Harding's ex-husband, Jeff Gillooly, had plotted the attack with his misfit friends to literally eliminate Kerrigan from the competition. Now two decades later, THE PRICE OF GOLD takes a fresh look through Harding's turbulent career and life at the spectacle that elevated the popularity of professional figure skating and has Harding still facing questions over what she knew and when she knew it.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the interrelationship between the still and the moving image.
A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined to not to let them get away with it.
Nine men gather for a workshop on a rooftop. There they perform confrontations of everyday life, with the police and at the workplace. In the process, the actors engage a space between the theatrical and the real. This is not a film about workers. The factory is a microcosm, a miniature Egypt.