A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.
Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
Short about the daily life of the Apaches, including their ceremonies.
A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.
Follow the teams at Respawn, Lucasfilm and EA as they strive to translate the cinematic magic of Star Wars into the awe-inspiring gameplay of Star Wars Jedi: Fallen Order.
A documentary about the making of Jia Zhangke's film the World.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
Documentary about the making of ’Spring Break Zombie Massacre.’
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Charmian Carr, who played Liesl in The Sound of Music, takes a tour of the Austrian town of Salzburg, where the location shots of the movie were made. Includes behind-the-scenes footage from the making of the movie.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.