In 1994, a young family of Bosnian refugees find themselves in a little Dutch village after receiving their residence permit. Absurd situations occur as they attempt to turn this new world into their home.
Play by Tom McClenaghan, about a routine patrol in the submarine HMS Superior. Strange, near-farcical take on tensions, eccentricities and sexuality among the crew of a Polaris submarine, on a six-week tour of duty off the coast of Faslane in Scotland. Among their number, Neil Pearson is the wily, mascara-wearing, cross-dressing messhand AB Seaman ‘Cock’ Roach, using his Bilko-esque charm to scale the naval pecking order and positively thrive in this tiny, cloistered world
TV drama - following Adam Bishop, a petty criminal, as he leaves prison for a drugs rehabilitation programme in order to turn his life around.
Tragedy strikes when the helicopter that Nickis riding suddenly crashed in a remote island and authorities reported no survivor. The apparent death of Nick caused great grief to Vanessa, a socialte already betrothed to the young man. On the remote island, Nick meets Dr. Mallari, a marine biologist. Because of his memory loss, Nick introduces himself as Darwin. Dr. Mallari takes Darwin to his home where he introduces his daughter, Diosa, a beautiful painter. Darwin admits that he cannot recall his past and Diosa initially doubted his story. However, as time passes by, the two develop feelings for each other and have a child together. Darwin becomes involved in another accident that triggers the return of his past memories. He remembers that he is a wealthy businessman named Nick who is about to marry his beloved girlfriend Vanessa. With the return of his memory, Darwin's identity as well as Diosa and their child no longer exist in Nick's recollection.
Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.
Mice have taken over the household. Its silence is thick with words unspoken. A mother, a child, and a lover are pulled together and pushed apart by their love and soon find themselves trapped in a labyrinth of listlessness.
When suburban mother, Caren (Missy Yager), meets a teenager working the streets of Las Vegas, Barbie (Mariah Kirstie), the result is a mother daughter relationship that may save both their lives.
Truth is slippery at the prestigious firm of Martín and Associates, a place where Lucía Aldarando intends to make her mark. Although go-getter Ricardo Martín heads the company, Lucía is ready to move up the corporate ladder, calling upon her smarts and her wiles to make her dream come true. Ambition, however, has a way of changing one's character, and not for the better.
Three women discover they are married to the same man when he falls into a coma after suffering a heart attack. The story takes a surprising turn when the women plan a solution while he remains in coma, but what if Cristóbal awakes?
During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.
When stand-up and improvisor Michelle Marcus is over the rat race of Los Angeles, her fellow comedian friends band together and have one last night out on the town. The ladies talk life, career struggles and chasing their dreams.
Ticket to Rome
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
A troubled young boy finds his rooftop escape jeopardised by the girl he pines for.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
An anthology of five stories that can literally happen to anyone.
Pushed by the fear of losing her friends, Silvia has invited them to a sleepover. But things can be complicated when your home is not exactly what your friends may call a home...
Down and out, directionless, and without a driver's license, Emma is going nowhere fast and she knows it. The men and women this bisexual enigma has been sleeping with think she's a waitress, an artist or a kindergarten teacher... while in reality, she works in a seedy porn shop, dressing up nightly as various "sexy" characters. One night at the local Albany bar, Emma meets Mason, a transgender IT technician who seems to have it all. Could Mason be the knight in shining armor she's been searching for? Soon, Emma finds her web of carefully crafted lies beginning to unravel when she encounters one of the few things she hasn't before- sincere feelings for another person. Little Bi Peep... it's hard to find someone to love ewe.
Set against the backdrop of Trinidad and Tobago’s mystical Carnival, a gifted and struggling young man becomes the object of intrigue for an older, well-meaning businessman until their worlds collide.
Sam's fear of her childhood home is brought to light when her ageing father claims there is another presence in the house.