Detour

Professor Pierre Ginsberg is having wife trouble and, on the advice of his lawyer, sets out to wear her down with kindness; she wants constant entertainment his lawyer promises him that a month of dancing and entertainment will eventually kill her or, at least, calm her down some. The exact opposite happens and Professor Ginsberg stands a good chance of dying himself. He manages to sing a song, in the best Willie Howard style, along the way.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Elissa Landi and Charley Chase host an East Asian themed garden tea party in Hollywood. After introducing a few Hollywood luminaries who are attending the party, they present a number of musical and/or dance performances to entertain the crowd. This set of performances also includes ethnic Chinese actress Anna May Wong modeling some fashions she brought back from her first ever trip to China. Through it all, one of the guests, already inebriated, is having a few problems mixing and serving the cocktails he wants.

Porky sets sail for the Boola-Boola islands in the South Seas with a ship full of general merchandise and plans to open a 5 & 10 cent store. But a swordfish cuts a hole in the ship and Porky's goods fall into the ocean, where the fish make creative uses of them, ultimately opening a Hollywood nightclub, complete with fish impersonating various stars.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

Musical short.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

A man and a woman have an awkward encounter at an indoor playground.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

A depiction of a girl’s uneasy state of mind as it wavers between life and death.

When his girlfriend Olivia dumps him for his rival drug-seller, the marijuana pusher Ludovic takes revenge with the help of his loyal customer Vincent who was already cheated by the same guy.

One of the earliest posing-pouch films to feature sound.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

An afternoon in the park takes a dark turn in this tale of circumstances re-defining who we are.

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

A coming of age story about two great friends during the school years whose friendship is truly tested when one of the boys start to develop different feelings for the other. At first, it seems Philippe and Claude are just experimenting new sensations, everything is pure curiosity to them. But total reciprocity isn't the name of the game and Philippe is clearly infatuated with his friend.