“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.
This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956. The professionally filmed black and white newsreel footage was synchronized with an amateur audio recording of the concert that had previously appeared on the 'Elvis Presley: A Golden Celebration' LP/CD box set.
On the dance floor and from the heart, people with disability and their families share relationship stories, hopes and challenges.
This less-than-feature-length documentary chronicles the endless cycle of addiction perpetrated by a mother and son living in a squalid tenement in San Francisco. 22-year-old Ryan and his mother Stephanie are both drug addicts: Although he'll take whatever comes along, her substance of choice is crack cocaine, and she demands that her son provide her with some. As they navigate their respective addictions, each comes close to overdosing just before they're evicted from their apartment.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
In Search of Avery Willard iIlluminates the life and work of the groundbreaking, and mostly forgotten, artist Avery Willard — photographer, filmmaker, writer, publisher, leatherman, pornographer.
Documentary about the ten days the director spent in Moscow, during the 1986 Moscow Youth Festival, as kind of a gay delegate.
This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.
Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.
About the English musician, composer, record producer, singer, writer, and visual artist, Brian Peter George St John le Baptiste de la Salle Eno, made shortly after his departure from Roxy Music. Featuring the recording sessions for Eno's record "Here Come the Warm Jets". A long lost documentary.
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
The LA Sisters are outrageous, controversial, always fabulously dressed men and women who feel they are called to minster to the community as 21st century nuns.
Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship.
Robert Mapplethorpe gets his nipple pierced while his boyfriend lends his support in person. Patti Smith lends her support via voice over as she rambles on about her childhood, her transvestite brother, her breasts and Bob Dylan?