Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Of the Seven Wonders of the Ancient World, the Pyramid is the only one to survive. Many believe that even with our 21st-century technology, we could not build anything like it today. Based on the most up-to-date research and the latest archaeological discoveries, here is how the Pyramid came to be.
Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.
A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Two Letters for Ana
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills.
Originally shown in IMAX theaters, this film presents highly detailed and lavish views of the gorgeous scenery of the Pacific Northwest, both as they appeared before the top 1,300 feet of Mount St. Helens was blown into the sky and during the disaster's dramatic aftermath.
A breathtaking view of Zion National Park filmed originally in the IMAX format.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.