When Moyles Met the Radio 1 Breakfast DJs

In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.

Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

The history and enduring legacy of one of the world's biggest and most influential radio stations.

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.

Beatrice is an 18-year-old young reporter with the Children’s Radio Foundation (CRF) in Lusaka, Zambia. She is part of the Unite4Climate Radio Initiative, a project which uses the power of radio to challenge mindsets and shift behaviours around environmental protection.

In partnership with the MasterCard Foundation and local partner Mwanza Youth and Children Network, the young reporters produce and broadcast radio shows that illustrate how farming can lead to individual prosperity and country-wide economic growth and teach the business and finance skills necessary to manage these small agricultural enterprises.

"It's like Hands on a Hardbody meets Trekkies!" See what happens when Austin DJ & first time filmmaker Jenn Garrison turns the camera onto the world of radio to learn more about the industry's unique groupies. PrizeWhores is a documentary about a group of people who have formed their own 'community' based upon their extreme hobby of attending radio-station remotes, movie premiers and rock concerts. They coordinate their lives based upon these events. They are actually called 'prizewhores' by the staff of the radio stations, music venues and movie houses they frequent. As you will learn, winning is fun. But, it aint the only thing.

SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

A working day in Austria, 2004. Nine modern working-class heroes are engaged in their daily struggle of survival, accompanied, motivated and influenced by the country’s most popular radio station.

"Jolly Roger" could mean Roger Schawinski. But by definition, a "Jolly Roger" is the classic black pirate flag with skull and crossbones. This documentary tells the unvarnished story of the Swiss radio pirates who emerged in the 1970s. The focus is on Radio 24 in its wild years, when Schawinski's team broadcast from Italy, with the strongest FM station in the world at the time, straight down from Pizzo Groppera, 130 kilometers all the way to the Zurich area. Supported by numerous original documents from private filmmakers and from the SRG archives, the viewer relives the absurd radio war between David and Goliath that lasted almost four years, 24 years after this war between the radio pirates and the state power began on November 13, 1979. The many known and unknown fighters, who rallied behind their Radio Winkelried Schawinski in 1979 to help usher Switzerland into a new media age, remember the good and bad times, the demonstrations and the numerous threatened and actual closures.

Radio 1's longest-serving broadcaster Annie Nightingale takes us on a counter-cultural journey through the events, people and sounds that have inspired her illustrious career.

A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.

An analysis of the changes suffered by the sports press over the years. For a long time, sports journalists helped create legions of sports lovers who idolized athletes regardless of which shirt they wore. But today the media maintains an aggressive dialectic war in which the readers have ended up participating.

Musical compilation of live performances by French hip-hop artists.

The story of legendary New York City disc jockey Bob Fass who pioneered free expression on the airwaves with his long running FM program 'Radio Unnameable'.

After 30 years as Boston's fiercely independent Alternative music station, WFNX announces that it is being sold to Clear Channel Communications, and news of the sale rattles generations of music fans who had grown to believe that WFNX would always exist at 101.7 on their FM dial. As the station counts down its last sixty days on the air, current and former WFNX employees reminisce about the station's rich history and reflect on what the sale of this perennial David in a land of radio Goliaths says about the changing ways we relate to music and media.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.