In March 1982, Rádio Fluminense FM, known as MALDITA, airs in Niterói, which with irreverence, boldness and creativity in programming, breaks with the standardized foreign music markets and begins the so-called Rock 80 generation.
PRK30 - O Rádio pelo Avesso
"Jolly Roger" could mean Roger Schawinski. But by definition, a "Jolly Roger" is the classic black pirate flag with skull and crossbones. This documentary tells the unvarnished story of the Swiss radio pirates who emerged in the 1970s. The focus is on Radio 24 in its wild years, when Schawinski's team broadcast from Italy, with the strongest FM station in the world at the time, straight down from Pizzo Groppera, 130 kilometers all the way to the Zurich area. Supported by numerous original documents from private filmmakers and from the SRG archives, the viewer relives the absurd radio war between David and Goliath that lasted almost four years, 24 years after this war between the radio pirates and the state power began on November 13, 1979. The many known and unknown fighters, who rallied behind their Radio Winkelried Schawinski in 1979 to help usher Switzerland into a new media age, remember the good and bad times, the demonstrations and the numerous threatened and actual closures.
Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
A dramatization to promote the Territorial Army.
An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.
Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.
Luxembourgish presenter, director, producer, and actress Désirée Nosbusch, born in 1965, is a woman of many talents. After starting out in radio at the age of 12, she landed her first role on the big screen four years later, then presented the Eurovision Song Contest in five languages at the age of just 19. Over the years, she has hosted popular TV shows and starred in more than 30 films and TV dramas, establishing herself as a major figure in European cinema.
Baseball, Dennis & the French tells the true story of Paul Croshaw, longtime liberal activist and connoisseur of French films, who amazed his family, friends and himself by becoming a churchgoing, conservative Christian after years of listening to nationally syndicated radio host Dennis Prager.
In 1976, CFNY launched in a small suburban house just north of Toronto and went on to become one of the most influential punk, new wave and alternative radio stations in the world. This is the story of their mission to bring the most exciting music in the world to the masses. It's also a story of the personalities, lawsuits, bankruptcies, concerts, and listener protests that went along with it.
An information film educating and encouraging aspiring radio CB'ers to get into ham radio.
Les Voix du Large
Génération Biétry
A working day in Austria, 2004. Nine modern working-class heroes are engaged in their daily struggle of survival, accompanied, motivated and influenced by the country’s most popular radio station.
"It's like Hands on a Hardbody meets Trekkies!" See what happens when Austin DJ & first time filmmaker Jenn Garrison turns the camera onto the world of radio to learn more about the industry's unique groupies. PrizeWhores is a documentary about a group of people who have formed their own 'community' based upon their extreme hobby of attending radio-station remotes, movie premiers and rock concerts. They coordinate their lives based upon these events. They are actually called 'prizewhores' by the staff of the radio stations, music venues and movie houses they frequent. As you will learn, winning is fun. But, it aint the only thing.
Jak se dělal Radiojournal
Radio Gwendalyn is facing a crucial challenge: professionalization. It is the first community radio station in the Italian-speaking part of Switzerland to obtain the status of a complementary non-profit radio station. Through this story, the documentary explores the broader context in which the station operates: a network of often invisible yet deeply interconnected realities. It is also a journey into the lives of the people who keep the radio alive, their stories, daily challenges, and the motivations that drive them forward. The film follows the Radio Gwen community through a year of transformation: from the complete renovation of the studios in Chiasso to a new internal organization and the launch of a renewed programming schedule. This recognition defines the station’s mission: to fill the gaps left by commercial and public broadcasters, offering an authentic service rooted in the local community.
When the Nuxalk trace the vanished ooligan to a land claim filed the very day smallpox arrived, their radio station becomes courtroom, confessional and conjuring ground; an older law insists: the fish return when the people do.