Vete más lejos Alicia

In a dystopian and climate-ravaged future America torn apart by civil war, a group hiding in a remote cabin become the target of a ruthless rebel militia leader and his platoon, viciously hunted in a fight for survival.

Channing has it all: a beautiful home, a rock star lifestyle, and a loving husband intent on ruining it all by knocking her up.

In the Mediterranean, the sea on which our civilization was founded, miles of refugees await Europe to welcome them. "Stranded" approaches the daily life of these long-term refugees, in occupied buildings or in refugee camps At the gates of Europe these people try to keep hope alive while they live.

Lonely pensioner Eve is given a humanoid robot to play bridge with.

Earth has been destroyed and the survivors have retreated to an underground city on Mars, preparing to head off to a new planet they hope to colonise.

A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.

While playing Basketball, 12-year-old Nader and 8-year-old Samer rip the chair of their dead brother. Fearing their mother's anger, they throw it in the bin.

In the middle of La Habana, three friends meet on the rooftop day after day to discuss their dreams and aspirations. Though they lack the proper resources, they decide to start their own business, a decision that pushes them towards maturity, although at an unforeseen cost.

Simply stated, In The Morning is about love and transitions. It examines the complexities of love from the perspective of three women in the midst of some hard won self-transformation. It’s a mood piece that weaves together three stories about personal growth and the power of choice and action.

A touch of horn is enough for the girl to meet with her boyfriend...

Jacqueline Goss and Jenny Perlin retrace the journey of two eighteenth century astronomers tasked with determining the true length of the meter. From the Mediterranean Sea to the English Channel, 'The Measures' explores the metric system's origins during the violence and upheavals of the French Revolution. Along the way, Goss and Perlin consider the intertwining of politic and personal turmoil, the failures of standardization, and the subtleties of collaboration.

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.

An ordinary day in the megacity of Istanbul: Ten-year-old Cemo sells paper tissues in the streets, Hayat is controlled by her husband and transsexual Ebru sells her body. All three have a secret love and they do everything that satisfies their longing, if only for a moment. An authentic, delicate and unsettling story about love and death and the Turkish society at the beginning of the 21st century.

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

Artist Margaret Honda’s first feature-length film, Color Correction is a commitment to celluloid cinema and a brilliantly conceived experience of projected light. The film was made using only the timing tapes that corrected the color for a Hollywood feature, the identity of which Honda does not know. Devoid of images and deeply meditative, Color Correction offers a timely insistence on the indispensable nature of this great medium.

The week before Halloween, Jason Hollway's parents separate, and his dad moves out. Jason is depressed and doesn't want to go trick or treating with his friends Jenn, Ted, and Austin. His mom and grandpa encourage him, first by a trip to a pumpkin patch and then with the promise of a party at the end of the evening. The neighborhood has a scary story of a son's murder of his father 25 years before, so all the kids are frightened of Sam Hain: they ring his doorbell and run. All evening, the kids talk about the Sam Hain house: one by one, Jason's pals disappear; soon, it's just him and a silent Pumpkin Man walking up to Sam Hain's door. What will Jason do?

San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?

Age-old customs and traditions collide with a rapidly modernizing India when Hari, a small-town taxi driver, has an arranged marriage to a girl he has never met

Based on a Thomas Mann novel and made with amateurs the directors found while doing a workshop at Ceará.

Stanley, who has the aged and disheveled look of a pensioner living on little, attends lovingly to a large cabbage, the only thing growing in his brick-walled back yard. His wife, meanwhile, is in the kitchen with her cleaver, dispatching red meat and trussed chickens with thunderous whacks. One evening, her eyes settle on a recipe for beef with cabbage, and she throws down the gauntlet. Is it good-bye to the cabbage? Will Stanley have to part with the vegetable of his dreams?