Lars

East Berlin, early 1980s: Ludger is hired by the Stasi to spy on the oppositional arts scene in Prenzlauer Berg. But when he falls in love with the mysterious Nathalie, he has to choose between a life as a celebrated underground poet and his career as a Stasi agent. A choice that will turn back on him 30 years later.

Neukölln, a trendy district in Berlin. Living space is scarce here. Without surety, proof of credit worthiness and salary there is no chance at all now. Thies knows this game; he works for a real estate management company and watches that the rules are upheld - until he meets Bruno and Sonja. He provides the dissimilar siblings with a flat free of charge on the quiet. And enters into an affair with the brother. Step by step he becomes more deeply immersed in the secret of the "siblings". A Berlin film about a loner who gets caught up. About a couple with unclear residency status. About a city everyone wants to live in.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

USSR, November, 1941. Based on the account by Vasiliy Koroteev this is the story of Panifilov's Twenty-Eight, a group of twenty-eight Red Army soldiers commanded by General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though lightly armed they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.

An actor is recalled to active duty with the Army's C.I.D. to find the thief who stole historical jewels in occupied Germany and the trail leads to the boyfriend of a young debutante from Bel Air.

A romantic drama set in Germany just before WWI and centered on a married woman who falls in love with her husband's teacher. Separated by the war, they pledge their devotion to one another.

Otto, a feckless Everyman, tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow.

Five film students are producing a documentary about the local zoo when suddenly the animals go berserk: The reason is a light ball flying by in the sky and crashing at the horizon. Convinced that they've just witnessed a meteor landing the students follow the trajectory to document the event with their camera. In a forest area they discover a burned crater. Since it's too dark to film they decide to spend the night in their van. The next morning one of them is missing. The remaining students find first a trail of blood and then the torn up pieces of what used to be their friend. Soon they realize that something is hunting them - something that's not from this world.

Under the auspicious name "Magical Mystery" the Berlin techno label BummBumm Records wants to go on a rave tour. Karl Schmidt aka Charly himself was once an aspiring artist on the scene, until he retired after a nervous breakdown five years ago. Since then he lives in a supervised withdrawal WG in Hamburg. Now, as a driver and custodian for the party-loving DJs and their producers, he becomes part of "Magical Mystery", trying to lead a self-determined life after years of patronizing and well-intentioned advice.

Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.

Teresa is a young widow who is concentrated on her little business until she hires Gino.

An anti-Nazi refugee on the run and a young Jewish couple race across Europe trying to escape Hitler's ever powerful influence.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

The trials and tribulations of a man diagnosed with colorectal cancer who refuses treatment and establishes a carnal fixation on the tumor that slowly siphons the life out of him.

The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010), deals with the everyday life of a man, Carsten , who works on the set of the 2004 Ulli Lommel film Zombie Nation. At the same time, he is planning to realize his own film, a task he finds extremely difficult.

Ex-con Zeki Müller goes undercover as a teacher at a below average Gymnasium to find money he'd stashed prior to incarceration.

Germany 1939. The farmer Jonathan Friedberg with the Nazis tried to make a pact to see his family again deported. 75 years later. Jennifer is a young psychology student, and is in a wheelchair because she had an accident years ago. She is working on a study for the university and asked about this in a village at random people on the street. She encounters a strange story that an old, since 2 World War II relates abandoned house. Jennifer is very curious and looking at the house despite all the warnings. She gets caught in an incredible situation. It is a puzzle to solve, which is directly related to her. Moreover, they fall into the hands of criminals who buy their neither the story, nor are willing to let them free. The situation escalated unexpectedly. The horror is falling!

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.