Small World

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Reflektion

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Autumn adventurers unite! "Leaf Peeper" takes you on a frantic frolic of Fall foliage until your eyes pop out. Shot on Super 8 in single frames with pixilation, puppet stop motion, frenetic pans, and plenty of plaid, this very short short film packs every second with as many picturesque and picaresque frames as possible, turning leaf peeping into equal parts immersion therapy and extreme sport to capture the sublime bliss of a lovely day out and about.

A lost and lonely artist drowns in a collection of her dreams in search of her estranged sister.

An experiment in meditative and stripped down cameraless filmmaking, edited and sequenced using machine learning models.

Abstract video art set to the music of Philip Glass.

An NTSC space opera.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

When Imperial China calls one man from every family to defend the empire from invading Huns, a young woman disguises herself as a soldier to take her ailing father’s place. Facing ruthless invaders, brutal training, and the risk of execution if discovered, she must decide who she truly is— and what she’s willing to fight for.

A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

A lonely man tries to enjoy a regular evening

The turkish ambassador is said to visit a village in Hungary.