We're No Animals

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Flies never give up. But horses may get exhausted. But flies never stop buzzing.

Follows various residents of the Chelsea Hotel in 1966 New York City.

A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

Jorge is a taxi driver from Córdoba clinging to rhetoric of order, meritocracy, and anger. His only friend is López, his dead rabbit—confidant and spiritual compass. At night, Jorge and López cross paths with passengers who embody various social stereotypes, distorted mirrors of a society on edge. Amid absurd conversations and increasingly extreme situations, his routine shatters when the young man who humiliated him hours earlier gets into the cab. Caught between anger, delirium, and a yearning for vindication, Jorge must decide whether to act to reclaim his wounded dignity or accept becoming the object of ridicule he feels the world has imposed on him.

The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.

Wilbur: The King in the Ring is a comedic documentary, which wrestles with the worldwide obesity plight. Wilbur McDougall, a former pro-wrestler, agrees to let his best friend J. Ollie Lucks make a documentary about his gastric sleeve surgery and subsequent transformation. But in order to stay literally half the man he was, Wilbur will be forced to maintain a healthier lifestyle while Ollie’s altruistic intentions verge on exploitative.

After her mother’s death, Magali returns to her native town in the argentine north. The threatening presence of a puma that eats animals and appears in dreams unsettles the town. Magali’s approaches her son, together they will fulfill the family duty on which depends their own prosperity

A man eats breakfast during the COVID-19 pandemic.

Anônimo e incomum

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Steadily reading while/becomes treading into murky waters.

Three friends in primary school try to find the truth about a local myth.

There is nothing left to do but complain.

Beyond all human restraint lies one's lugubrious layers of paint.

A teenager decides to shut himself off from the world around him after receiving bad news.

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas