La muerte de Otilia Ruiz

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

A homeless bum, bored of eating the same food every night, promises his girlfriend a special dinner. He plans to take her out with money robbed from a passing stranger. But the bum’s in for a surprise when the man he targets for his mugging turns out to have special – and hilarious – powers.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.

Jackie is a boy who is so trapped by his fears and doubts that he could not communicate with anyone. Then, a magic dragon named Puff comes to help Jackie by taking his soul force on a wonderous voyage to his island of Honah Lee. Along the way, they have adventures that nurture Jackie's imagination and courage in unorthodox ways.

Ojos que no duermen

"Mahou Tsukai Jiji" was created as part of a project promoting the relation between young and old people.

Coke Ennyday, the scientific detective, divides his time into periods of "Sleep", "Eat", "Dope" and "Drinks". In fact, he overcomes every situation with drugs: consuming cocaine to increase his energy or injecting it in his opponents to incapacitate them. To help the police, he tracks down a contraband of opium (which he eagerly tastes) transported within "leaping fishes", saving a "fish-blower" girl from blackmail along the way.

When Woodstock's fancy new nest disappears one afternoon, he turns to Snoopy for help. Adopting the guise of Sherlock Holmes (complete with cloak, deerstalker cap and bubble pipe), Snoopy and Woodstock go on the hunt for the missing nest.

Walt Disney enlisted former colleagues Hugh Harman and Rudy Ising to help create this underwater Silly Symphony. Ocean waves form merbabies who are summoned to an aquatic circus playground on the sea floor, where they interact with a parade of seahorses, starfish and other marine life, before disappearing into the surface from which they came.

This film resulted from the unfinished short film Puce Women. The film opens with a camera watching 1920s style flapper gowns being taken off a dress rack. The dresses are removed and danced off the rack to music. (The original soundtrack was Verdi opera music; in the 1960s, Anger re-released the film with a new psychedelic folk-rock soundtrack performed by Jonathan Halper.) A long-lashed woman, Yvonne Marquis, dresses in the purple puce gown and walks to her vanity to apply perfume. She lies on a chaise lounge which then begins to move around the room and eventually out to a patio. Borzois appear and she prepares to take them for a walk.

The story of a cat who, legend has it, longs to become human.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A pesky and persistent moth bangs about the kitchen. Nothing is what it seems.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

A man and a woman hit it off at a bar and decide to go back to her place. The man soon realizes that she is more than he bargained for.

300 years in the future, a forensic accountant reviews the video stream from one mercenary's drop-pod which has been damaged during the initial stages of a colonial invasion.

A hard-boiled US Sergeant and a chatterbox Nazi are forced to team up to destroy a sexy, French, damsel Vampire in war torn France.