Ray Gun Virus

The Sophisticated Misfit is a long-awaited must-have for fans of the artist Shag and Tiki culture alike. This documentary traces the artist’s roots growing up in Hawaii, his artistic journey in college, his early work designing album covers, to his modern-day role as an art-world phenom. In addition to exclusive footage of Shag painting in his home studio, the film features intimate interviews with the artist, his family, artistic influences, tiki-philes, celebrity collectors, and fans.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Este Silêncio Pode Significar Muita Coisa

Nina Regan, an established performance artist, launches her much-anticipated exhibition, the first since spending a decade in prison for the killing of her long-term collaborator Saul Olufsen.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

The Mona Lisa Myth

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A documentary on the painter Antonio López and his day-to-day work.

Experimental research and dissemination documentary about current contemporary art that compiles the opinions, experiences and anecdotes of artists, gallery owners, curators, museum directors and experts.

A story about how Kuboshima Seiichiro overcomes various difficulties to open Mugonkan, an art museum in Ueda City, Nagano Prefecture, featuring artworks by students before they were sent to fight in WWII.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Charlie and Rose, a young couple aiming to sell a painting entitled ‘I Think, Therefore I Want’, struggle to hide their rising frustrations at one another throughout the evening of the exhibition.

A young and naive college art student becomes obsessed with assuming the identity and personality of a departed coed who used to live in her room, and in so doing causes complications that result in two men, a student and her art professor, lusting after her.

An American art collector, living in France in the 1870s, who loses his fortune in a stock market crash devises a scheme to get back his wealth through insurance fraud with the added consequence of potentially killing hundreds of people. His scheme is to place his art collection aboard a ship, insure the collection far beyond its value, and place a barrel of dynamite with a clock-piece timed to go off when the ship is at sea.

Bowls Balls Souls Holes investigates cause-and-effect phenomena less easily traceable, such as quantum entanglement, magnetic fields, global warming, and the production of luck. Creating physical experience that transcends the autonomous object and cinematic medium, filmmaker Mika Rottenberg guides us through elaborately constructed physical and metaphysical environments. All activities converge in a Harlem bingo hall where a sequence of numbers opens mechanic portals into an alternate reality. Here, the relationship of cause and effect obeys bizarre laws and characters linked by invisible forces engage in a parapsychological chain of events. These actions move planets, influence global temperature, and shift architecture.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.

Scrat tries to finish his rather large collection of acorns when things start going nutty.