After living in the city for ten years, Vilius returns to the farmstead, where his older brother Petras, the chief livestock specialist of the collective farm, still lives. An internal conflict with his brother, an overly energetic person, will not prevent Vilius from finding his place in life here.
A family is forced off their farm due to drought, and move to Sydney.
A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.
Yashima is a woman who works as a plumber. She is also uncomfortable with her own sexuality. One day she visits a home for a job and meets Kyu. Yashima senses Kyu's eyes watching her. They become intimate, but a dark secret is soon revealed.
In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
A domineering mother sets out to break up the romance and possible marriage of her daughter, Cecily Stoughton, with Ted Pyncheon by several contrived devices and bringing in other candidates more to her liking.
The teenage daughter of a Brooklyn beauty-parlor owner blossoms under the influence of her recently-returned show-biz aunt.
During a rainy day, and while their mother is out, Conrad and Sally, and their pet fish, are visited by the mischievous Cat in the Hat. Fun soon turns to mayhem, and the siblings must figure out how to rid themselves of the maniacal Cat.
An eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a soundscape, and of duration itself. A film-as-adaptive-landscape. A georgic in five books.
When the Postables discover an antique vase, they trace it back to three girls who attempted to sell it in to save their family farm. With the farm again facing hardship, the Postables must choose between doing what's legal and what's moral.
A young girl has some visions about her future that will change her relationship with her mother, forever.
Ina, just released from prison, returns to the place of her childhood in search of life and meets the occasional desperado Domühl in her mother's house, which has been empty for thirty years. Hagen, a mentally handicapped resident, also ends up in this unusual landscape somewhere in the middle of nowhere south of Berlin in search of his uncle.
A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
GRUFF is a handmade, paper short film that tells the story of a daughter, mother, and grandfather and how love is conveyed in different ways.
José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.
Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.
In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.