A multi-part documentary about the making of the Jurassic Park trilogy. Each part walks through the making of part of one of the films, including the hurricane during the shooting of the first film, and how advances in CGI for Jurassic Park helped change the world of special effects forever. All interviews for these retrospective documentaries come with comments from Spielberg, Johnston, Neill, Dern, Goldblum, the effects crews, the child actors, and Peter Stormare. This documentary is broken into six parts: Dawn of a New Era (25 min), Making Prehistory (20 min), The Next Step in Evolution (15 min), Finding the Lost World (28 min), Something Survived (16 min), and The Third Adventure (25 min).
A mechanic discovers the fossil of a huge carnivorous dinosaur, unleashing a war between scientists, mayors and neighboring towns to keep “the biggest dinosaur in the world.” Among bone thefts, replicas and a mayor obsessed with creating Dinolandia, anything goes when it comes to surviving.
A behind-the-scenes look with the cast and crew, featuring thrilling locations, deadly new dinosaurs and the next evolution of the iconic franchise.
An inside look at the creation of Universal Orlando Resort's new Jurassic World VelociCoaster.
Based on famous game Durango Wild lands. A lonely banker named Tom is leaving for a hunting trip, but when his flight goes through an unusual turbulence he wakes up in the jungle but not any jungle, a jungle filled with dinosaurs, the hunter becomes the hunted.
On the 1991 European Basketball Championship an incredible event occured. A team of some of the greatest Balkan basketball stars accepted gold and watched the flag of their country be lifted up. The flag of a country that no longer existed.
Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.
Cryptid: The Chupacabra takes you deep into the history of the legendary Chupacabra phenomenon. From its earliest roots in the villages of rural Puerto Rico to its present representative in the American southwest, the film explores all angles of the mystery, featuring narration by Lyle Blackburn and interviews with witnesses and experts like Nick Redfern and Ken Gerhard.
The new documentary from filmmaker SETH BREEDLOVE and SMALL TOWN MONSTERS, examining reports and sightings of Dogmen and other canid creatures in the Land Between the Lakes National Recreation Area, and the surrounding areas of Kentucky and Tennessee.
With new interviews with the actors and production team, this documentary reveals the inspiration for stories, outlines how the team knew they were upsetting the government and big business, and explains why Robert Powell left at the height of its popularity.
Jonathan Dimbleby’s landmark 1973 documentary “The Unknown Famine” stands as a pivotal moment in Ethiopian history—a journalistic endeavour that not only exposed a humanitarian crisis but inadvertently helped precipitate the end of Africa’s oldest monarchy. The footage was broadcast by ITV for its flagship affairs series named "This Week".
Claude Lebet, luthier, had originally wanted to be a parson, like his father before him. However, after one year in theological school, he left to study violin making in Cremona, Italy. Later, he returned to Switzerland, where he founded his workshop at La Chaux-de-Fonds in the Jura mountains. The "Musici di Roma" launched his career by buying the first violin he made, then helping him acquire his house. For Lebet, a violin takes a month and a half to make, and requires the smoothest maple and spruce, which he selects himself, along with the finest shellacs. In the film, we watch as he makes a violin for a musician who comes to try it out and to choose from various woods. It takes but six weeks for Lebet to fashion the violin, but the relationship of musician and luthier lasts a lifetime.
Michel Marlétaz lives in Les Echenards, a seven-person hamlet without an access road. After a bad car accident left him injured, he had to find a new livelihood, and so he learned the cooper's trade in classes set up for mountain farmers. He now makes his living from the manufacture of small wooden ware, like pots, spoons, butter churns, buckets, and milking pails. Marlétaz is the only cooper left who knows how to make the large butter churns used in the high Summer pastures. In November, he cuts the wood he will need - elm, spruce, cherry wood - then, during the Winter season, he makes the pieces he will deliver in the Summer.
Hellblade: Senua's Psychosis, a short documentary film included with the game, details the concept behind its story and inspirations, notably the team's study of mental illness.
Spearhead from Space marked not only the arrival of a new Doctor but also the transition from black and white to colour as the show moved into a new decade. This documentary looks at the challenges faced by programme makers during this period.
Get ready for a powerful story of resilience, love for place, and commitment to service, as you learn the origins and ongoing work done by Christian Appalachian Project (CAP). This film features artists, writers, community leaders, and policymakers--alongside CAP employees and volunteers. "Hearts of Hope" is a visual history of both CAP and the Appalachian region, showcasing an often-stigmatized region through the lens of one organization's work to combat harmful stereotypes.
Behind the Mask: The Unauthorized DVD is a 2002 unauthorized documentary film about the American heavy metal band Slipknot. The documentary looks at the band's early days and their rise to fame. Due to licensing restrictions, the film features no music or performances by Slipknot.
Like his grandfather and his father before him, François Pernet is a mountain peasant and works with wood. He trained as a carpenter and cabinet maker and owns the last water-powered sawmill still operating in French-speaking Switzerland. He and his wife have five children, two of their own, and three nephews adopted after the death of their parents in a car accident. So, to earn a living, he makes and carves cupboards and turns bannisters. In addition to his work, Pernet has become a sculptor as well. His bas-relief carvings, which have decorated local cafés, show various aspects of mountain life, including hunters, poachers, chamois and other animals.
The "tavillonneur" or shingle-maker cuts out and fits shingles or wood tiles into place. Shingles (called "tavillons" in Switzerland), are one of the oldest methods of roofing or covering an outside wall. There are no longer any official apprenticeships. The film follows two shingle-makers, Joseph Doutaz and Olivier Veuve, who have very different techniques of cutting and placing their shingles. Joseph Doutaz uses only the traditional "tavillons" while Olivier Veuve works with these, as well as with "anseilles," larger and thicker wood tiles. We see both men at work in Winter and in Summer, and see some of their finished buildings.
Marcellin Babey, from the Swiss Jura, is thirty-five years old. He works in an old workshop in the heart of Lausanne, concious that building speculators will oust him some day. As there are no longer any apprenticeships in wood turning in Switzerland, Babey learned his craft from the former owner of his Lausanne workshop, and by going, on foot, to visit old turners in France and Spain. When he learned from old documents that the inhabitants of the Swiss canton of Vaud used to play bagpipes on holidays before the Bernese Protestants forbade it in belief that it was an instrument of the devil, Babey decided to build the instrument as it used to be. In the film, we see him make and play the bagpipes.