The Queen of My Dreams

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

A woman secretly gives birth to a child after being raped by her boss and hides the truth from her husband.

A woman threatens to leave her husband unless he installs a toilet in their home. To win back her love and respect, he heads out on a journey to fight against the backward society.

A man's life changes after he unknowingly gets super powers and then embarks on a journey that helps him discover the true meaning of love, life, courage, sacrifice, and his role in the world. Balaji Motion Pictures presents a Brat Films production 'Super Singh'- "Ikk Te Assi Singh, Utton Super' punjabi cinema's 1st superhero film. Directed by national award winning and blockbuster punjabi film director Anurag Singh (Jatt and Juliet 1 & 2 and Punjab 1984).

The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.

The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.

Fathers & Sons is a comedic exploration of a group of men and their relationships with their fathers. A middle-aged Jewish man meets his father for the first time at the funeral of his mother. A south-Asian accountant introduces his white fiance to his father - a gay, Bollywood choreographer. A recently bankrupted Wall-Street broker has come home to borrow money from his music teacher father, and four brothers gather at the paternal home to pay their last respects and to collect their inheritance.

College students rape and murder a servant who comes back from the grave to take revenge.

Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged step-son, Sahil. Now Sahil must prove his innocence and find out who the real killer is.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

Sameer, fast at losing his temper is re-located to Goa where he falls in love with Rani. But Sameer's new roommate Sunny, has some plans of his own.

After getting bored with her love less marriage life, a wife decides to get a breathe of fresh air and meets a hit man.

A wealthy widower, Amar, swaps identities with his servant Dayal to test prospective brides. He ends up falling for Geeta, the household servant, while posing as Dayal.

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.

Chal Bhaag kickstarts with an MLA being murdered by three shooters. The incident coincides with the arresting of Munna, Bunty and Daler for their small time crimes.

Discovered by an eccentric ballet master, two gifted but underprivileged Mumbai teens face bigotry and disapproval as they pursue their dancing dreams.