Derby Dogs

A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

Family drama set in New Zealand about Geoff Crome, a young boy (Fulford) who immerses himself in his own private fantasy world where he meets Firpo (Papps), a strange being who dreams of being an Olympic athlete. Together, the two begin a close friendship as Geoff attempts to help Firpo realise his dream. However, it is not long until the adult world begins to impinge on his fantasy.

On Christmas Eve, a nameless little girl reads 'The Monster's Christmas' storybook to her teddy bear, as something sneaks around in the trees outside her window. She hears a noise in the other room, and thinking that it's Father Christmas, she goes to investigate. She finds one of the monsters, who has come seeking help to defeat an evil witch that has stolen all the monsters' voices.

A touching story about the relationship of an American pilot named Ray Walker with a boy and his family on a ranch in New Zealand. Bill, the grandfather of the family, knows that only Ray can teach flying to his grandson.

A baby is washed up on a Pacific Island and is adopted by a childless woman. The tribal priest takes an instant dislike to the child, proclaiming him a demon. The child is deaf and mute and therefore excluded from hunting with the other young men. Out of loneliness, he befriends a white turtle. When a drought befalls the island, the priest blames the silent one. When the chief protects the boy, the priest plots the chiefs' downfall.

Timothy and his family is expecting a French-Canadian male exchange student, that turns out to be an attractive girl, to which Timothy proceeds to make a fool of himself, trying to impress. When Michelle becomes ill from drinking spiked punch at a party, Timothy notices a tattoo while helping her to bed. He foolishly tells a friend about the tattoo, who proceeds to tell the whole school, which does not go down well with Michelle.

The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.

Tama, a young Māori boy, finds himself in a magical forest filled with cheeky spirits and thundering gods. He is welcomed by a group of carefree teens who guide him through their world of fun and adventure, promising a life of freedom as long as he follows the one rule: don’t go near the water for risk of being taken by the Taniwha.

A bunch of friends are making a movie in an attempt to win the shortest film competition. But when people have to go to work, things get challenging. Can they finish the movie in time for the deadline?

Aroha wants to share her creativity with her neighbours. Her imaginations come to life for everyone to enjoy.

A man's son becomes involved in drug use and criminal activity in rural New Zealand. The man embarks on a journey to seek assistance from others in an effort to get his son back before it's too late.

A documentary about the history of settler groups that came to New Zealand from Europe.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.

On 28 November 1979, an Air New Zealand jet with 257 passengers went missing during a sightseeing tour over Antarctica. Within hours 11 ordinary police officers were called to duty to face the formidable Mount Erebus. As the police recovered the victims, an investigation team tried to uncover the mystery of how a jet could fly into a mountain in broad daylight. Did the airline have a secret it wanted to bury? This film tells the story of four New Zealand police officers who went to Antarctica as part of the police operation to recover the victims of the crash. Set in the beautiful yet hostile environment of Antarctica, this is the emotional and compelling true story of an extraordinary police operation.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

Lost somewhere over the Pacific in a single-engine Cessna with low fuel, a pilot (Scott Bakula) awaits rescue.