Six-year old Lin resides in an isolated fishing village with her brother and their widowed mother. When the family gets an opportunity to start a new life, Lin has a startling revelation. A melancholic tale inspired by real events.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
Luo Liang, a young man trying to meet the expectations of family and work, has come to town looking for something better but is unsure of his lot in life.
In this talk, Li Hongqi reviewed his transition from fine art to cinema, and his aesthetic and philosophical exploration from his early 'So Much Rice' to recent 'The The'. Dir. Li Hongqi also shared his strong anxiety of his existence(born with melancholia), his thought on cinema art (actually, I don't think there's any movie worth making), his epistemology, his religious view, his consideration on contemporary cinema, and what he learned about living in seclusion.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.
Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.
Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.
It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue
The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".
Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.
Coming back to her broken family, pregnant writer Huang Xiaoyu and her French husband, Benjamin, finds herself trapped between her cult brainwashed mother, Li Jiumei, and her secretly homosexual father, Huang Tao.
Old Jia gave up his city life and returned to the countryside with his wife. He abandoned chemical fertilizer to practice natural farming. His philosophy attracted a big group of admirers from the city, whereas local villagers disagreed on his approaches.
A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.
Working as a secretary for a legal office, Xiaofen records clients detailing the sordid aspects of their lives: divorce cases, medical malpractice suits, financial corruption and old-fashioned personal revenge. Xiaofen starts to question her own relationship with her boyfriend (Deng Gang), fresh out of prison and looking to get into trouble again with his gambling habit. While Xiaofen deals with the overwhelming social malaise surrounding her, rumors spread of a disaster at the local chemical plant, threatening to poison the entire city.
17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.
Three scenes about three couples with each portraying maybe the turning point of their relationship. First scene, Lim & Amelia are a couple who had been together for almost five years. While he works as a salesman and trying to save up for marriage, the girl are not sure if he’s the one she wants to marry. One day he confronts her about a letter from her admirer. Second scene, Pete & Bernice are a couple who had been together almost ten years. They’re not married because he doesn’t believe in marriage. While she tags along, one day she might realizes this may not be the man she wants to end up with. Third scene, we see Amy & Lai are a pair of secret lovers. This maybe their last meeting or maybe not. They may had loved each other in the past they may not now in this scene. This is the third and final part of James Lee's Love Trilogy which takes offers a glimpse of the life of three lovers.