Laura

Corpus II Home presents a fatalist visualisation of the psychological effects of the world coming to a standstill. The mind becomes hyper aware of itself, every thought, every movement is methodically registered and evaluated, creating a suffocating environment that will have brutal consequences.

The turkish ambassador is said to visit a village in Hungary.

A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Slowed, stowed, achingly retold.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

Casey is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity, violence and hypermasculinity and a woman fighting for her place in it.

A simple funeral turns a man's world Topsy turvy. He wakes up in a posh hotel room, totally clueless about how he got there. Slowly, he recalls what happened a day before.

The Millars - Malta's most prominent artists and philanthropists - are winding down after celebrating their gold wedding anniversary, when they're interrupted by a knock in the middle of the night. A man humbly asks for their help. The Millars oblige, because their charity is bottomless - but so is their need to make art.

In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.

A woman accidentally discovers the Plaque of Kolob which leads her to discover an insidous alien plot for world domination documented by a disreputable early Mormon prophet. 'Plan 10 from Outer Space' is an eccentric comedy involving a bizarre relationship between Mormons, bees and extra terrestrials, hot on an obviously miniscule budget with a largely unknown cast, save for b-movie queen Karen Black.

Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.

Endless Sea is a textural, oneiric exploration of the inability to escape captured within the confines of Grand Theft Auto: Andreas.

NYC’s genre-bending Temporary Distortion mines the worlds of Japanese ghost stories and J-Horror in Americana Kamikaze. Inside one of Temporary Distortion’s signature box structures, an East-meets-West psychological horror story unspools, complete with vengeful spirits, impossible physical manipulations, elliptical storylines, nightmarish cinematography and stunning visuals. Temporary Distortion has been making new works that seamlessly blend theater, cinema and installation since 2002. Their work has been presented in the US, Canada, France and Austria.

A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

After losing everything beyond time, mankind seek to find inspiration in nature, in the void and in life itself, while struggling with dreams of future existence.

Within a single space, the director treats the sorrows of two people married to each other.

A teenager decides to shut himself off from the world around him after receiving bad news.