In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
When Gregoire and Lola go on a beach holiday to the idyllic Skagen, they don't know yet that the trip will be the end of their marriage. Gregoire may be wealthy, but he is many years older and several pounds heavier than his young wife, whose beauty makes all the male holiday guests turn their necks. Baron Plessen falls in love with Lola, and she quickly becomes fond of the idea of replacing her corpulent husband with a handsome nobleman. Together, they plan to push Gregoire out of the picture. The preserved material is a fragment.
Assuming he is marrying a wealthy girl, Peter Foley passes a fraudulent check. To save him from jail, Julia Barry poses as his wife. Peter is actually in love with Alice Blake. He encounters complications with motorcycle cop Bull, who is engaged to Julia. A friend of Alice adds to the mix-up. All wind up snowbound together in a mountain lodge.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Everyday wintertime life of Sámi reindeer herder Inka Länta and her family, mingling authentic and fictionalized takes.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
A young man gets engaged to a business competitor's daughter.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time...
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
The young serf Eremey Mizgir is surrendered as a soldier by his mistress for his mischievous tricks. Mizgir ends up in St. Petersburg in the guards regiment. Resourceful, quick-witted, cheerful, he easily copes with his official duties and, although he often gets punished by the sergeant-major for his pranks, he never loses heart. But then sad news came from the village: the old people’s cow had died, and Eremey’s bride Dunya was being relentlessly pursued by the clerk. The soldier felt sad. Standing on guard at the rich, diamond-studded icon of the Kazan Mother of God and thinking about how to help the elderly and the bride, Mizgir decides to take a desperate step. He breaks the glass of the icon and picks out a large gemstone from the aureole of the Mother of God. When the loss is discovered, Mizgir, without blinking an eye, announces that the Mother of God herself gave him the stone.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.