Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.
Mujer con violetas
Abre Alas
Wilhelm Hansen was a visionary businessman who lived in Denmark in the 19th century. He was one of the few collectors to take an interest in Impressionist painters at a time when they were attacked and denigrated. The film takes us to Hansen's summer house on the outskirts of Copenhagen and takes us on a tour of the extraordinary exhibition at the Royal Academy in London dedicated to his collection.
A couple breaks into a house to steal a valuable painting. Things will not turn out the way they were planned.
Autorretrato
In 1930s Los Angeles, a police detective leads an elite squad against a vicious organized crime ring.
A police officer is called by F.B.I. to infiltrate into gang of arms smugglers.
Screenwriter Philippe (Duchaussoy) imagines a crime committed by his wife Sylvie (Delon) and a mutual friend Pierre (Serre): a dead body is put in a trunk but the hand sticks out. Sylvie and Pierre begin to have an affair and things get very dangerous and the imaginary crime is on its way to becoming prophetic.
18-year-old small town Aline arrives in Paris and is employed as house servant in Robert and Ulla Marbois' home. Robert takes a fancy towards Aline and they begin an affair.
Octave, a young painter, realizes that his wife Marianne has left without a word or explanation. With his best friend Alfred he wanders the streets of Paris, in search of Marianne.
The first film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.
The second film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.
Three women plot to catch wealthy husbands by throwing a party at a mansion to which they have temporary access. Obvious love stories follow involving an ex-ballplayer, a secretly wealthy mechanic and an ad exec.
The final film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.
In the 19th century, a wealthy Northern woman marries a Louisiana plantation owner and then becomes suspicious about his first wife's death.
A catholic nun tries hard to protect and integrate in society a number of young women with a past in reform schools or even prisons. Lack of funds, troublemakers in the group, outside incomprehension for her aim make her task hard, but eventually she achieves due to her faith in God, and the human person.
Anurag wonders about his first love Tanvi, whom he hasn't seen in years. Will their love be rekindled when they reconnect after a long time apart?
Ajay and Ketaki decide to get married in court after the constant clashes of egos between their respective families. Things complicate after their routine lives take a toll on their relationship.