Dear Albania

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

A calling inhabits the blank pages, unfolding a secret writing of hers. The unseen written traces seep from the murmuring land, pushing through fragmented voices to become new forms, beings made material. Framed as a dialogue with my grandmother, this film explores an alternative form of personal writing by Chinese women in political shifts, absent and abundant. The 'blank' becomes an image, carrying a search for agency; of land transformed and of women unheard. By breaking down linguistic structures, the film opens a space for imagining, reading, and performing, allowing for emergence.

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Nina - Botando o Bloco a Rua

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.

By recounting their experiences with family, friends, lovers and country, a group of strangers examine what it means to be loved as Nigerians and as women. Through these conversations, they unpack cultural biases, shared realities and potential alternatives towards a safer, softer future.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

School lunch chef Wanda McAfee-Conart reflects in her job and how it connects her to the sensory environment and to her own family history.

Children get ready to start the first grade. They start learning the first letters.

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

In northern Albania, ancestral customs still exist, governing the laws of vendetta between families. Sometimes, for generations, an old feud has pitted two clans against each other, condemning them to take turns murdering a member of the opposing family. This blood code, known as the Kanoun, has painful consequences for many Albanians, who are condemned to live in seclusion to avoid being killed.

Villa Madjo

The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Albania in the southeast of Europe – situated between Greece, Macedonia, Kosovo and Montenegro – hosts an astonishingly diverse landscape. Harmonic coastal areas lead to harsh karst landscapes. Snow-covered mountain regions, wild canyons, waterfalls, deep-blue lakes and untouched rivers are perfect conditions for an immensely rich flora and fauna. Decades of war preserved wide areas of the country from industrial exploitation, so the natural environment is still untouched.

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

Documentary about Congres VI of the Women's Union.

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.