Lambing

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.

A documentary about resilience and the fight against suicide among trans people, the film portrays the characters’ relationships with their bodies, life and all that is sacred. It dives into the hearts of Aretha, Yago, Deniell and Ariel in an attempt to promote inner healing.

The Boys Next Door is a short documentary in which director Bobbie Fay Brandsen examines how she should live together with her new neighbors, Mootie from Syria, Meron from Eritrea and Salihou from Senegal. A film about integration, cultural differences, idealism but even more about the question: 'can we, despite all our differences, live together and if yes, how?' This film is one of the graduation documentaries from the class of 2017 made by a crew entirely consisting of students of the Dutch Filmacademy.

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.

At only 19 years old, an Argentinian filmmaker emigrates to Miami looking for better opportunities. She soon finds herself falling for her very first boyfriend, someone she thought was good for her. That would quickly change, making her feel trapped in an abusive relationship that she would hide from everyone around her for years. In a detailed search for healing, she explores the events that led to the morning when he sexually assaulted her to understand that she is not to blame.

Short film directed by Traudl Kulikowsky

Speed has always played a particularly important role in railroads. New, ever better technologies have been developed throughout history. Engineers have come up with many ideas to make trains faster. This short film recalls the most striking record-breaking journeys in Germany and abroad.

Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.

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Documentary short about a strange phenomenon where a phone booth that was in the middle of the Mojave Desert began to attract people around the world to call the number and also to travel to the desert to answer the phone.

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.

A documentary covering the remastering process of first season of the horror anthology series that adapts internet horror stories into short, interconnected films.

A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history

Herbert Fux talks about his role in the 1970 film "Hexen bis aufs Blut gequält" also known as "Mark of the Devil"

The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.

Les sentiers culturels

Cult star Lynn Lowry discusses her early career and the circumstances that lead to her role in George Romero's The Crazies.