Seven colors are assigned to eat the food of their own color. They don't question it, until one of them wants to take a different path.
To live is to dream and to fight to communicate and ward off loneliness. In this sexually-charged experimental, two men find each other in a time of need.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.
Mya prepares to fight the horrors lurking within.
One orphaned girl struggles to survive in the not so distant future where society has succumbed to violence and become a kill or be killed world.
The short film surrounds Cassie and her struggle, confusion, and eventual discovery of her OCD. We take a glimpse into her interactions with her friends and family, often paired with flashbacks (intrusive thoughts) of supposed violence towards herself and others. Unknowing of her condition, she is distraught at each thought, and as a result reluctant to share with her loved ones what she is going through.
On the same day several interrelated characters try to change their own lives and, in the process, change the lives of others.
At The Beauty's Altar
Filmmaker-griot coming from the theater, it was with a camera, while the war in Vietnam occupied everyone's minds, that Sarah Maldoror gave visibility to the African wars of decolonization: Angola, Guinea Bissau, French Guinea, Cape Verde... Her short film Monangambée addresses the torture by the Portuguese army of a sympathizer of the Angolan resistance. At the end of editing, Sarah Maldoror approached the members of the Art Ensemble of Chicago during a Parisian concert and offered to add sound to her film. The next day they watched the film, were convinced and recorded their first soundtrack for free as evidence of African-American solidarity. Shot in Algiers, Monangambée is a film about torture and, more broadly, about the incomprehension between the colonized and the colonizers. It is based on a novel by the Angolan writer Luandino Vieira, then imprisoned by the Portuguese colonial power.
Whilst still grieving the loss of a close loved one, Michael (Harry Murdoch) finds that his new friend, Lisa (Jenny Smith) has a past so unbelievable that he is forced to move on and learn to be himself again.
Fifteen year-old Ben Garber has a secret. A secret which leads him to infiltrate the household of a family in a neighboring town...
Master violist Anton Lardozo rounds around Europe by performing and spending all his free time in restaurants. While he is visiting in Finland, he leaves with his friend Eero for country and stays in the inn of Harakkala. Lardozo falls in love with country girl named Kirsi but soon one of his lady friends, Tanja, arrives from Paris.
George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.
Paul is visibly confused after a meeting, late in the night. He drives through the night, experiencing a chaos of his feelings and emotions. He celebrates, cries, laughs and screams. But why all this? Again and again his mood is interrupted by strange seeming incidents, in his immediate vicinity...
Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.
A woman and boy visit an ominous graveyard.
The couple, Mariam (Marta Hazas) and Ale (Juan Caballero), are going to try an old sexual fantasy to solve their sexual problems: making a threesome with a stranger. An unknown person, Él (Sergio Mur) is the key piece of an erotic triangle where nothing goes as planned. Erotic drama, a story where feelings and sex mingle to form a web of emotions where not everything is what it seems.
Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.
A pulsating ride, sexually charged with emotion, men discovering their taste for other men, awkward situations that force the characters to get in touch with that taste.