Left Behind

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

A documentary film about Christian singer/songwriter Rich Mullins, including found footage and interviews with people who knew him best.

This feature-length biography traces the journey of Heidi Baker, a modern day Mother Theresa, as The Baker’s pursuit of the presence of God has transformed a poverty-stricken and war torn Mozambique through love in action. Shot on the run over a period of 20 years, in 10 countries and on 4 continents in war zones, brothels, and Ivy League campuses, from Hollywood to Mozambique, this film chronicles the power of one life fully yielded to God and the truth that love wins.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

When this propaganda film begins the narrator states that before the beginning of World War II, Japan was the only one of thirty-five nations to refuse to sign an anti-narcotics treaty and alleges that this was because the country's leaders planned to use drugs as a weapon of war.

Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

Millions of American Evangelicals are praying for the State of Israel. This film traces this unusual relationship, from rural Kentucky to the halls of government in Washington, through the moving of the American Embassy in Jerusalem and to the annexation plan of the West Bank.

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

A documentary about World War II, also known as the "Holy War" while Romania was an ally to Nazi Germany. The propagandistic nature of the film is evident through its overt anti-semitism and ultra-nationalist tone.

In their journey to find the formula for a fragmented and dying Church the two filmmakers find themselves getting closer to a much bigger Answer.

An enthralling and thorough documentation of the traditional Armenian church liturgy.

In this film we demonstrate atheists know God deep down despite professing the contrary. First, we show various proofs including scientific studies which indicate there are no atheists. Second, we show atheism renders basic things everybody agrees on meaningless. It is proved that atheism is unable to account for the validity of reason, empirical observation, the possibility of knowledge, moral absolutes, the uniformity of nature, the laws of logic, and human dignity. In fact, these issues render atheism impossible. We argue since atheists assume these things this means they are not atheists but closet believers.

A Christian minister explains to viewers why millions of Christians have suddenly vanished: the Rapture has occurred.

Join Marlin Maddoux, host of the nationally syndicated radio news talk program Point of View, for an investigation into the multi-million dollar a year baby parts trafficking industry, which is one of the most lucrative businesses in operation today. Yet most Americans are unaware of its existence. Many have heard about the controversy surrounding fetal tissue research but have no idea how the tissue is obtained. Today, some are claiming that cures for a number of devastating diseases, including Alzheimer's, Parkinson's, diabetes and AIDS, are just around the cornerand that fetal tissue is desperately needed for research. But is it really?

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.