Twenty-six-year-old Shani Warren was found drowned in Taplow Lake, Buckinghamshire, with her hands tied and feet bound together in 1987. Revealing how it took a forensic breakthrough to solve the 35-year mystery of the death of The Lady in the Lake.
This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).
Professor Alice Roberts discovers which are Britain's most popular fresh foods and uses the latest science to uncover the surprising health benefits of our favourite foods.
Over 300,000 children were given food aid in the UK last year. While politicians argue about why so many kids are experiencing food poverty, we ask the children themselves to tell us why they think the cupboards are bare.
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
Featuring footage spanning from 1901 to 1985, this little-seen footage has been found from all across the UK. This programme allows an exploration into stories of migration, community and also the struggle against inequality, while also providing the opportunity to celebrate black British culture and life on screen. Films in the programme include: Miners Leaving Pendlebury Colliery (1901), Hull Fair (1902), For the Wounded (1915), From Trinidad to Serve the Empire (1916), Hello! West Indies (1943), Mining Review 2nd Year No. 11 (1949), To the Four Corners (1957), Black Special Constable (1964), Black Police Officers (1966), Cold Railway Workers (1964), Nigerian Wedding in Cornwall (1964), Coloured School Leavers (1965), London Line No. 373 (1971), African Student Families (1975), Liverpool 8 (1972), Blood Ah Go Run (1982), The Jah People (1981) and Grove Carnival (1981)
A documentary about Kim Philby, a British member of MI6 who was in reality a spy and defected to the U.S.S.R.
From Bedrooms to Billions is a 2014 documentary film by British filmmakers Anthony Caulfield and Nicola Caulfield that tells the story of the British video games industry from 1979 to the present day. The film focuses on how the creativity and vision of a relatively small number of individuals allowed the UK to play a key, pioneering role in the shaping of the billion dollar video games industry which today dominates the modern world's entertainment landscape. The film features interviews with major British game designers, journalists and musicians from across the last 30 years.
At the demise of empire, City of London financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures in a web of offshore islands. Today, up to half of global offshore wealth may be hidden in British offshore jurisdictions and Britain and its offshore jurisdictions are the largest global players in the world of international finance. How did this come about, and what impact does it have on the world today? This is what the Spider's Web sets out to investigate.
This BBC Three film follows the first all Asian girls’ cricket team over the summer holidays as they train for their last ever tournament together. The team started at school four years ago when their only experience of cricket was their dads and brothers watching it on the TV. In spite of this, they took to it like naturals and began winning almost all of the tournaments they entered. Last year they lost out on becoming National champions at Lords by only one run.
An historical account looking at how Britain's canals were used, and declining, in 1951.
A look at Britain's beloved canal network via a fact-filled cruise along the first superhighways of the Industrial Revolution. In the age before mechanisation, a frenzy of canal-building saw a new army of workers carve out the British landscape, digging out hundreds of miles of waterways using picks, shovels and muscle.
Documentary looking back at a Britain during the darkest days of WWII using stunning new archived footage and interviews with people who lived through it.
In the blistering hot summer of 1984, a sadistic predator is terrorising rural Britain. This is the story of the desperate police manhunt for The Fox, one of the most prolific and depraved offenders in British criminal history.
Chronicles the musical career of British post-punk art rockers Wire.
Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.
Actual footage by the United States Signal Corps of the landing and attack on Arawe Beach, Cape Glouster, New Britain island in 1943 in the South Pacific theatre of World War Two, and the handicaps of the wild jungle in addition to the Japanese snipers and pill-box emplacements.
Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.
A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.
Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.