Sub Pop Video Network Program 1

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

A group of young adults in their twenties, who share an apartment in the city of Seattle, ponder on love and face all the challenges of adulthood.

Includes vintage Superchunk videos with commentary on the videos from the band and the directors, a documentary made by the band, interviews and live footage - you'll need a few days to get through all of it. Over four hours of material and all of it's essential.

Through a series of interviews, 'So Which Band Is Your Boyfriend In' takes a look at gender in the UK's DIY and underground music scenes.

A documentary that explores the challenges that a life in music can bring.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

I Ramones is a half-hour of concert footage captured in Rome in 1980, just after the release of the Phil Spector-produced album End of the Century. Shot on film, it laid forgotten in the vaults of an Italian television station for two decades after its one-time broadcast.

This 126 minute DVD features raw, vintage live performances by Bad Religion, The Circle Jerks, The Weirdos, and The Dickies. These performances, originally released on VHS as ""Best Of Flipside Volume 1"" and ""Best Of Flipside Volume 6,"" capture all the aggressiveness and energy of the L.A. punk rock scene in the mid-eighties. The DVD also features bonus live tracks from Dead Kennedy's and D.O.A. Among the classic tracks included are Bad Religion's ""Politics"", Circle Jerks' ""Coup D'etat"", Weirdos' ""We Got The Neutron Bomb"" and Dickies' ""You Drive Me Ape.

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

A live album by American rock band Nirvana, the album features an acoustic performance recorded at Sony Music Studios in New York City on 18 November 1993, for the television series MTV Unplugged.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

Sultans of swing - Lady writer - Romeo and Juliet - Tunnel of love - Private investigations - Twisting by the pool - Love over gold (live 1983) - So far away - Money for nothing - Brothers in arms - Walk of life - Calling Elvis - Heavy fuel - On every street (live 1992) - Your latest trick (live 1992) - Local hero - Wild theme (live 1992)

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.