Greta

Barry's starting over.

A young protege and his boss sit down for the most epic steak dinner of their lives in Omaha, Nebraska.

A man is sent by his wife on a midnight errand.

A looped video installation shot in Seattle in fall 2010. A disembodied and seemingly innocuous conversation between a man and a woman acts as an exploration into the themes of ennui versus action, family versus individual, and how much your environment—both landscapes and people, both tangible and intangible—can affect the choices you make.

A visual cat-and-mouse game, TWO STORY is a looped video installation that seems to hint that the various people who inevitably come in and out of your life can leave an imprint that will never quite go away.

A mercurial narrative about the reunion of two old friends. Loosely inspired by Ibsen's 'A Doll's House'.

A fire rages in the woods near a village. This fire triggers a memory in a lonely, middle-aged woman, which pushes her to utter aloud the words she's always wanted to say.

A naked body moves a stranger to empathy. Inspired by The Kuleshov Effect, a dizzying provocation on art and objectification.

A lover's revenge from beyond the grave. Low-budget Super-8 Horror short, filmed at Patterson High School.

Kelly's Ashes is a short film directed by Andrew Hibbs

For 25 years, Avron Coleman performed cello with the New York Philharmonic, as well as in numerous important string quartets. Retiring in 1997, this active, talkative, prolific, fascinating man still plays, and recounts tales of music and of his own life in music. The film contains lots of beautiful music by Schubert, Bach, Schumann, Brahms, and others.

A chilling portrait of loss and redemption when men create their own gods.

Bridget spreads joy through her "Shuffle of Love."

Jade decides to come out to her Mom as a lesbian before her wedding. After practicing multiple times, she receives an unexpected call from her mom.

A young woman is terrified when a haunting visitor from her childhood returns.

The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.

Billy the Marine's last day home before going back to Iraq. Realizing he may never come back, he tries to make amends with various people in his life. For Billy, the real battle may be on the home front rather than the front lines. LEAVE is an entirely improvised drama that was shot over the course of one day in Arlington, Texas, using both actors and non actors, both family and friends of the director, all from a one page outline. The story ultimately describes the different ways people express their love to one another, and how these ways of communicating love are sometimes lost.

A group of old friends are hanging at one of their houses exchanging stories of sexual escapades, awaiting another friend to arrive so they can celebrate a birthday at a nude bar. When one of them is suddenly accused of having masturbated in his friend's bathroom, what starts as a McCarthy-era trial of accusations at one individual suddenly escalates into a night of judgment that tests the truth of their words and the strength of all their friendships. LIONS' DEN is an entirely improvised drama using both actors and non actors shot over the course of an evening, based from a loose outline. It ultimately is a probing of the way men behave with one another. It also emphasizes the way people point the finger at others to hide their own sins and actions. A melting pot of lies, truths, egos, and masculinity that is stirred with documentary-style filmmaking.

A young businessman from New York (Layne Edelman) visits a diner in Topeka while on a business trip through the Midwest. Layne quickly notices something 'unusual' about this diner as he eavesdrops on the townsfolk conversations. When he returns to his table to find his belongings stolen, Layne's 'small town experience' spins mercilessly out of control.

A woman wakes up after a car accident in a strange world.