Sexual Happiness

Some 1960s hackers known as phone phreaks found a way to avoid long-distance charges. Two of those phreaks just happened to be students named Steve Wozniak and Steve Jobs.

Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

In this fun and educational piece, animal experts talk about the real creatures that inspired the characters of Rango and the filmmakers explain why they chose specific animals to reflect certain personality traits.

Mother and son turned killers. Mama's Boy is a true crime Australian documentary investigating what drove Samantha Brownlow to convince her son Corey Lovell to murder her stepfather.

Featurette on the 2009 horror film Orphan.

The Making of feature for the George Lucas movie 'THX 1138'.

With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

The cast and crew talk about making the film with some behind-the-scenes footage.

Documentary about the 1970 film, "End of The Road."

A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.

The clash of gray communist reality with the American dream. The nostalgic story of the welder Staś, who left Poland in the 1970s to work in the largest and oldest circus in the world, "Ringling Bros. and Barnum & Bailey.” However, everyday life does not turn out to be so ideal.

The actors who played Tevye's daughters reflect on their experiences filming Fiddler on the Roof.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Through the memories of three Scarborough residents, unhome explores the cultural identity of home and the impact of gentrification