David Baddiel: Jews Don't Count

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

A damning documentary exposing the reactionary ideology and practices of Zionism and the State of Israel.

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

Chosen and Excluded - Jew Hatred in Europe

A documentary about the rise of anti-Semitism in the USA after the terrorist attacks of September 11, 2001.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

Benito Mussolini: Anatomy of a Dictator

When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America's cultural divide.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

This is the highly acclaimed full length documentary about Pink Floyd legend Roger Waters and his controversial views against Israel, including saying Israel is worse than Nazi Germany. Waters is widely known as a leader of the BDS Movement, which aims to get artists to boycott Israel. Many prominent world leaders and musicians appear in this film, discussing Waters' contemporary antisemitism.

“Tragic Awakening: A New Look at the Oldest Hatred,” directed by Canadian-Israeli filmmaker Raphael Shore, interweaves historical analysis with contemporary events through the voices of clerics, historians, sociologists, and cultural commentators, including the late British Chief Rabbi Rabbi Jonathan Sacks, author Yossi Klein Halevi, Israel’s antisemitism envoy Michal Cotler-Wunsh, and journalists Bari Weiss and Douglas Murray. It argues that antisemitism stems not from a perception of Jewish inferiority, but rather from resentment of Jewish excellence and moral leadership.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

A Canadian artist turned diamond merchant in Vienna, Austria risks his life to smuggle Jews out of the Third Reich.