David Baddiel: Jews Don't Count

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

Nothing predisposed a rural commune in the Loiret region such as Beaune-la-Rolande to embody the height of the Holocaust in France. Yet it was there that a camp was set up where Jewish families were interned, separated, their children abandoned to their fate before being deported alone to their deaths. Long hidden from view, more than eighty years after the events, this tragedy remains a sensitive subject that can still divide opinion on what should or should not be done to ensure it is not forgotten. Following personal journeys and collective commitments, this film meets activists, elected officials, and teachers who are committed to helping a region recover its memory and reconnect with its history, however painful it may be.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Benito Mussolini: Anatomy of a Dictator

A portrait of Pope Pius XII (1876-1958), head of the Catholic Church from 1939 until his death, who, during World War II, and while European Jews were being exterminated by the Nazis, was accused of keeping a disconcerting and shameful silence.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

A damning documentary exposing the reactionary ideology and practices of Zionism and the State of Israel.

Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

Award-winning journalist Mobeen Azhar investigates music’s most troubling story. How did Kanye West go from one of America’s most celebrated artists to a megaphone for hate and division?

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

He is considered to be one of the greatest German film stars, Hans Albers, known as "Der blonde Hans", a man made for the cinema. He was an actor, singer, idol of the Germans - and darling of the Nazis. Nevertheless, he could not protect his great love, the Jewess Hansi Burg. In 1938 she had to flee to London from anti-Semitism in Germany. But Albers himself stayed in Germany and continued to film, driven by a desire for a career and the call of money. In 1946, one year after the end of the Second World War, they meet again: Hansi Burg returns to the land of the murderers of her parents in the uniform of the British Army and visits Hans Albers in his villa on Lake Starnberg. He lives there with another woman. The rival has to go, then there is a tense debate. For a day and a night, the blonde Hans has to face uncomfortable questions and even more uncomfortable truths.

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

"This 20 minute documentary sheds light on the worst antisemitic riot in American history, which occurred in Crown Heights, Brooklyn, in 1991. Triggered by a Hasidic man running a red light and accidentally hitting and killing a young black child, the riot led to attacks on Jews. Stores and police cars were burned and a Hasidic man was killed. David Dinkins, New York’s mayor at the time, allowed the riot to go on for three full days, while the media downplayed the antisemitism at the heart of the violence. The film’s interviews include Rev. Al Sharpton and then-Deputy Police Chief Ray Kelly as well as WSJ Opinion writer Elliot Kaufman. The current wave of antisemitism makes these events newly relevant and worthy of reconsideration" (The Wall Street Journal).

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.