Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
Country Music queen Reba McEntire will debut as host for the eighth annual “CMA Country Christmas” event from Nashville’s famed Grand Ole Opry House on Monday, November 27, 2017 on ABC. The two-hour holiday music celebration airs on the ABC Television Network and will feature performances by McEntire and a lineup of today’s best in Country sharing their favorite sounds of the season.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.
How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.
Located nearly 80 kilometres north of Berlin, Germany, the former municipality of Ravensbrück was home to a prison between 1939 and 1945 that became a concentration camp designed specifically for women. It was built by order of Heinreich Himmler, a high dignitary of the Third Reich and head of the SS. Of the more than 130,000 people who were deported there, almost 90,000 never returned. Based on witnesses, international experts and computer-generated images, the document reveals the atrocities committed in Ravensbrück.
Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.
Jan Borna aneb Dokreslení Janka
A year in the life of troubled Australian graffiti artist Justin Hughes.
Opus pro smrtihlava
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
A portrait of Peruvian Jorge Poholyrec, a 71-year-old pariah who is a defender of National Socialism and such extremist postures as misogyny, eugenetics, the importation of females, and the suppression of minority populations.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
Màscares
Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.
Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.
Kevin Spacey, Sam Mendes and the Bridge Project Company go on the road in NOW: in the Wings on a World Stage. In over 200 performances, and across 3 continents, Kevin and the troupe reveal some of the most intimate moments behind the scenes of their staging of Shakespeare's classic tragedy, "Richard III." Their story and experiences weave around, and reflect on, excerpts from the play from their various locations, from Epidaurus to Doha, and provides a great opportunity for those who have never experienced Spacey on stage to witness his immerse and captivating interpretation of Richard III. NOW chronicles the first collaboration between Spacey and Mendes since both won Academy Awards® for their work on American Beauty.