Flying Paper

London students and academics protest the genocide in Gaza.

A Rebel Without a Cause for a new generation, and one of the most defiant children to ever grace the big screen, 14-year-old Hai is a teenage terror, a high school dropout and an all-around badass. He is also entirely irresistible. You cannot take your eyes off this kid, complete with a motorbike and an everpresent cigarette butt drooping from the corner of his mouth. (Dorothy Woodend, DOXA Documentary Film Festival)

Six young black men from Akron, Ohio, enter college, determined to redefine society's images and low expectations. Despite their confidence, the stark reality of being away from home brings a series of crises. Well trained in critical and metaphorical thinking, and unusually articulate about their inner lives, each of the protagonists guides us to his core. Since sixth grade, they have been part of an innovative mentoring program called 'Alchemy, Inc.' that uses mythological stories, drumming and writing. In the twice-yearly reunion workshops everyone speaks of his trials and his triumphs with authenticity, intelligence, honesty and heart. In turns quiet, thoughtful and exuberant, the six protagonists grow before our eyes, whether navigating racial provocations, or seeking support with new friends, estranged fathers and wise grandmothers.

In July 1988, Mizue Furui was in the Gaza Strip and West Bank with her camera as a rookie freelance journalist. Covering the Palestinian condition, she became acquainted with Ghada Ageel, a 23-year-old teacher at an elementary school, in November 1993 and started shooting her life up to when she turned 35. The 12 years Furui spent shooting still and video images has borne fruit in a documentary titled "Ghada -- Songs of Palestine," which will be released in Uplink Theater in Shibuya Ward, Tokyo, in May as a rare report on women in the traditionally male-oriented Palestinian society.

London in 1856. Karl Marx is living in exile in the British capital. One day, "Mohr", as Marx is called by his friends, meets the 13-year old worker′s son Joe. The boy works every day for twelve hours in a spinning mill and even has to work night shifts although that violates current rules. Marx tries to end the illegal activities of the spinning mill owner and one night shows up at the mill together with an inspector. But his foray is undermined by a robbery by the rebellious raven gang that is led by Joe′s brother Billy. The spinning mill owner of course takes this chance to blame his young workers for the theft. But Marx is not let astray and does not stop to fight against child labour. Furthermore, he tries to get the members of the raven gang back on the straight and narrow – with success.

Each year, three brothers Samuel, Jeffrey and Michael Douglas visits their Japanese grandfather, Mori Shintaro whom the boys affectionately refer to as Grandpa, for the summer. Mori is a highly skilled in the fields of Martial arts and Ninjutsu, and for years he has trained the boys in his techniques. After an organized crime ring proves to be too much for the FBI, it's time for the 3 brother NINJAS! To use their martial arts skills, they team up to battle the crime ring and outwit some very persistent kidnappers!

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

Vacances en Palestine

This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.

Tragedy strikes when the Zayyad family loses its patriarch under mysterious circumstances, leaving the surviving members to fend for themselves within a judgmental community in Southern Lebanon.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

After two intifadas and the construction of the Israeli wall, the only Palestinian zoo is still there and is now seeking for international recognition and to replace their lost giraffes.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.

With the victory against "The Beastly Beasts", "The Wild Soccer Bunch" showed it to everyone and then won every single game. Only one victory now separates them from the "Pott", the Freestyle Soccer Cup. For this they have to compete against the "Wolves of Ragnarök". But the wolves are not normal opponents! They have a dark secret - and behind them lurks a power stronger than all of them: the girl Horizon and the "Silver Lights" from the fog...

Declassified presents the first documentary about Britain's complicity in the Gaza genocide, exposing Keir Starmer's shady spy flight missions for Israel. What does a British base in Cyprus have to do with Israel's genocide in Gaza? Declassified travelled to this Mediterranean island to investigate the hundreds of spy flights Keir Starmer has sent over Gaza, that coincided with Israeli airstrikes and the killing of British aid workers We go where the British media and military experts have refused to look and ask whether this scandal could put Keir Starmer in The Hague.

Mio blir som barn skickad till Sverige för att tjäna ihop pengar till sin familj i Thailand. Men det går inte som föräldrarna planerat. Under tre år följer regissör Jonas Embring Mio och hans gäng på Henriksdalsberget utanför Stockholm. De lever i en hård vardag med kriminell identitet och våld. Till sist bestämmer sig Mio för att förändra sitt liv.