Noche De Ensayo

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.

Diamante, an actress engaged in the filming of a drama, is shot down in a warehouse used to store the cinema "pizzas". Another actress, Ely, get a glimpse of the corpse, which however is immediately disappears.

During the Turkish artistic revolution of the 1930s, a group of pioneers staged Özsoy Opera, the first opera in the history of Turkish Republic.

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

Isabella, a young model, is murdered by a mysterious masked figure at a fashion house in Rome. When her diary, which details the house employees' many vices, disappears, the masked killer begins killing off all the models in and around the house to find it.

A woman is strangled in the bath by a black-gloved killer who disposes of her body in a large trunk. The trunk is delivered to St. Hilda College, an exclusive finishing school. Betty-Anne, one of the female students, is strangled in the school cellar. The police, led by Inspector Durand, are called in to investigate. Suspects include La Floret, the voyeuristic gardener; Di Brazzi, the new swimming instructor; Mrs. Clay, the summer school French mistress; an old professor who collects birds; and a philandering young teacher called Richard. The murders continue but Jill, a keen amateur detective, helps the police identify the unlikely killer...

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

A newsman works with a blind puzzle-solver to uncover a deadly conspiracy linked to a genetic research facility.

Daniel, a writer seeking seclusion to work on his new book, finds himself stranded at a rural bed and breakfast run by a strange and prudish young woman and her ailing, wheelchair-bound husband who remains shut in his room all day. As night falls, a psychotic, razor-wielding killer begins stalking the bed and breakfast, brutally slashing the throats of its most sex-crazed guests, whose bodies and luggage then mysteriously disappear the following morning...

A mute woman, traumatized by her parents' death, faces new horrors when her cousin is murdered by a suspected killer. As danger looms, the truth proves far more complex.

Anne is convinced she has found her husband's corpse, but Dr. Mark can only find out that the man has gone home. When he comes back, his wife does not trust Mark, who believes she suffers from schizophrenia.

An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.

The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.

Two detectives are at their wits end as a black gloved killer sets their sights on two sisters

After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.