Toward a Common Tenderness

Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Las Preguntas que Perdimos

A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.

An excerpt about the troubled, passionate and intriguing relationship of an actor with his own life.

"Alexander is merging himself with Icaro. Between the Earth and the Sun, a persistent connection that pushes him back and forward in time, and slowly fades inside the sun, as his only reason of living. This and other short films will be part of this merging between Icaro and me, between the past and the future, between our star and Earth".

An isolated filmmaker struggles to connect with others in the absence of cameras. When he becomes creatively stuck, the world around him begins to dissolve.

Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.

From May to August of 1992, during the Bosnian War, more than 3000 Bosnian Muslims--known as Bosniaks--and Croats were murdered by Serbian authorities in the town of Prejidor, Bosnia, and its surroundings and in the Omarska concentration camp near the city.

On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.

A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.

In the not-so-distant future, Earth, choked by plastic, sends a secret expedition to an uninhabited planet to test an extreme method: having animals digest waste. The scientists land on DR0M3-D4R10, a dry and mysterious land, and begin the experiment. But the animals fall ill, the project fails, and the expedition is abandoned to its fate. In a desperate attempt to survive, they begin hunting the planet's only sentient creature, upsetting a sacred balance. The planet's revenge is not long in coming. Only one option remains: to leave a memory, a mark. A distant voice, native to the planet, tells their story.

A former leader in the Black Lion Party for International Solidarity shares his story of found family, loss, and transcendence. Shot over the course of two months, this short documentary provides a glimpse into the dynamics of modern American revolutionary movements. Jeremias' film captures a very brief, but important period of transition for the Black Panther Party in the 2020s.

Shot instinctively during the evacuation of a family home due to urban renewal, Intervals transforms fragments of domestic rituals and archival images into an intimate essay on memory, loss, and belonging, exploring the gaps between moments, between remembering and disappearance.

Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.