Aragane

Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

This two-part documentary reveals how al-Qaeda used Bosnia as a training-ground, money-laundering centre and forward operating base during the brutal civil war of 1992-95. The veterans went on to attack New York, Washington DC, London, Madrid, Mombasa and Bali. The story also reveals how the people of Srebrenica were betrayed by the Sarajevo government in advance of the massacres of July 1995.

Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.

Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...

A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.

In this exciting documentary you'll join a small team to the Bosnian city of Visoko. They've heard of a man called Semir 'Sam' Osmanagich. He claims to have discovered huge old pyramids, a vast network of underground tunnels and an ancient tumulus. For four and a half days he guided our team around, in search of proof of his claims. The Bosnian Indiana Jones, as Osmanagich is nicknamed, promised to show our camera crew the best places. So it would be definitive once and for all that there really are pyramids in the Bosnian Visoko valley. But are there? Or is it the biggest hoax in history?

A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

A small bar in Sarajevo is a safe space for queer people.

We are humans. El éxodo contado en primera persona

Documentary about the poor circumstances in the process of manufacturing iPhones - about mineworkers in Rwanda, illegal workers in Shenzhen, and repair-techs in Hamburg.

Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.

Acclaimed documentarian John Walker catches the legendary Cape Breton Miner’s singing group The Men of the Deeps just as the last mines on the island are shut down. Featuring ravishing cinematography of Cape Breton, and plenty of music, Men of the Deeps is a deeply touching portrait of a culture that still survives despite the ultimate end of an industry, and a tribute to the men and the songs that kept things moving on the Island for almost two hundred years.

OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.

Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.

SARAJEVO RICOCHET - A TOWN BETRAYED This documentary exposes the callous betrayal of the massacred men of Srebrenica - how they were sacrificed by their own government for a political objective. The widows, mothers and sisters of the men and boys who died near Srebrenica will never let the world forget the events of July 1995. The Serbs pulled the trigger, but the reasons for their brutal action has not been investigated. Now Bosnian Muslims themselves expose what really happened before, during and after what is been called `the European genocide of our time`. The Bosnian Muslim government was negotiating with the Serbs to exchange territory - Srebrenica for the suburbs of Sarajevo.

Summer 1994, Mostar, Bosnia and Herzegovina. Two civil wars in only three years has torn the city apart and destroyed it. The town is split into a Croatian majority in the west and a Muslim majority locked in the east. An invisible wall divides the two areas. The EU appoints German social democrat Hans Koschnick as municipal administrator of the town in the hope of rekindling a sense of community there.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

In present-day Bosnia and Herzegovina, economically depressed towns turn themselves into tourist destinations in order to survive—deliberately forming their own cultural narratives. Centering on four different locations, The Stone Speakers interrogates a nation’s contradictory memories. Made with subtlety and tactful distance, director Igor Drljaca’s film reveals the traumatic consequences of being a country that is stuck in a postwar identity crisis.