Das Leben ist keine Autobahn
Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.
A serious man tries to avoid catching a deadly laughing plague in a growingly polarized and dystopian society.
Roberto Soto is a renowned Spanish science fiction screenwriter. He has won a Goya award and his screenplays are internationally acknowledged. However, his producer is tired of science fiction and believes that, in Spain, he has to write films of different genres, something more intellectual and existential: social dramas, enriching values, philosophy, etc. With these arguments, the producer demands him a screenplay that has nothing to do with science fiction. As a result, Roberto has to decide whether to write what he's good at and was born for, or to do what he has been told. Roberto is forced into resigning and doing what he is paid to do: he locks himself in the living room with his typewriter in order to write a screenplay according to what is expected, with the urgency of the producer's visit, who wants to check up on his work. That same day, Luis, Roberto's best friend also turns up at his house, with an idea for a film about mutant octopuses, convinced Roberto can make ...
Two friends wander through a forest looking for a good spot to dig. They have known each other for some years now and have been doing this job of digging holes in remote locations so long that it has become fairly pedestrian. Their job is to dig a hole and await a package to be delivered before giving a right of passage.
Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.
A Christmas miracle happens in a home for children without parents - Zlati, a famous face from the small screen, showman, and host of "Golden Show" arrives. He has taken on the noble initiative "Take Me Home" - a call for kindness and compassion. Zlati invites little Yan to visit his own home for Christmas. For one day, the child will be in the spotlight and learn a lot about the false glamour of success.
Donald Richie’s classic is, in the words of Yukio Mishima, an outrageous farce, and a pitiless indictment of all our false ‘human’ values. As an allegory of an ‘all-consuming’ Tokyo family cannibalizing each other in a Tokyo park, it attains the highest reaches of black humour.
A new college graduate visits his girlfriend's house for Thanksgiving, only to quickly discover that her folks aren't your typical Southern family.
A new version of the How We Feel app has been launched. Society and government are collapsing, and the world is on the brink of destruction...
After the death of his master, the Dog of a Samurai warrior seeks revenge on Japan’s last wolf.
When Amy is leaving college, she finds herself sharing a lift ride with a variety of different strangers, each of which will teach her why people shouldn't be solely judged based off appearance.
Two film enthusiasts who work for a boutique distribution company called Flicker & Fade meet Vince Miller, the elusive writer/director of 1979's The Easter Sunday Massacre, who, along with his film, hasn't been seen in over 40 years.
Twenty-year-old Ryan struggles with a debilitating anxiety disorder following his father's death. Together with his two brothers, he must fight to break the destructive cycle threatening their family as ancient darkness closes in on them.
Exclusive behind-the-scenes footage offers a glimpse into the comic minds behind a "Wet Hot" summer-camp cult hit featuring many future stars.
Filmed in Wendover, Nevada, in early 1981, Energy and How to Get It combines documentary and fictional ideas. What began as a documentary film about Robert Golka, an engineer who was experimenting with ball lightening and the development of fusion as an energy force, was turned into a spoof on the documentary form, inserting fictional characters into the story such as the Energy Czar (William Burroughs), and a Hollywood agent (filmmaker Robert Downey). (mfah.org)
Dolores lives with her brother Pablo and spends her days with her friend Fatima, trapped in a normality that oppresses them. They live in circumstances that escape them, in a small town on the outskirts of Nuevo Leon, Mexico.
Sem Corpo, Sem Crime
Nas Entranhas de Nicolópolis
2 hours of rat content from one of the top 5 to ever do it.